清 銅四臂觀音 The figure seated in dhyanasana on a lotus pedestal, the principle hands in namaskar mudra, the secondary hands raised with one holding a flower, and the other holding necklace, wearing beaded jewelry, draped with a billowing celestial scarf around the arms falling to the base, the serene face with a downcast expression wearing a five-point diadem and hair in a top knot surmounted by a figure of Amitabha. Qing Dynasty period. 四臂觀音又稱“六字觀音”，是觀音菩薩在藏傳佛教中最為常見的形象，深受藏地僧俗崇奉，有“雪域怙主”之稱。此尊結全跏跌坐於蓮花寶座之上，主臂雙手合十，右上手應原持念珠，左上手執蓮花，是四臂觀音的典型姿態。頭戴五葉寶冠，正中冠葉為花朵狀，髮髻高聳，髻頂有一阿彌陀佛，耳際寶繒飛揚，面相方正，眉目細長，雙眉相連，著菩薩裝，上身袒露，胸前飾項圈、瓔珞，下身著長裙。坐於束腰仰覆式蓮花座上，蓮座上下緣飾有連珠紋，蓮瓣寬厚整齊，為西藏造像成熟時期常見的樣式。