Liu Haisu (1896-1994)Pine, Juniper and Rock, 1927
Hanging scroll, ink and light color on paper, inscribed twice by the artist, the first one on the upper left corner dated dingmao (1927), signed Liu Haisu, followed by one seal reading Liu Haisu, the second one on the right middle edge dated January, the eighteenth year of the Republic era (1929) and dedicated to Renzhi, signed Cuntiange zhu, followed by two artist's seals reading Liu shi Haisu and Liu Jiu.
134 x 50cm (52 3/4 x 19 5/8in)注脚Exhibited:
New Songs on Ancient Tunes, Honolulu Museum of Art, Honolulu, HI, August 30-October 28, 2007

Published:
Teisuke Toda and Hiromitsu Ogawa comp., Comprehensive Illustrated Catalogue of Chinese Paintings, Third Series, Volume 1: American and Canadian Collections, University of Tokyo Press, 2013, A50-258, p.225

Little, Stephen, and J. May Lee Barrett, New Songs on Ancient Tunes: 19th-20th Century Chinese Paintings and Calligraphy from the Richard Fabian Collection, Honolulu: Honolulu Museum of Art, 2007, pp.524-525

Provenance:
Far East Fine Arts, San Francisco, California

劉海粟　鬱勃縱橫　淡設色紙本　立軸　一九二七年作

款識：
鬱勃縱橫。丁卯（1927）秋，劉海粟。
十八年（1929）一月將遊歐，以留別任之先生，存天閣主又記。

鈐印：劉海粟、劉氏海粟、劉九

展覽：
《古調新歌：費立哲神父珍藏十九及二十世紀中國書畫》，檀香山藝術博物館，夏威夷，2007年8月30日至10月28日

出版：
戶田禎佑、小川裕充，《中國繪畫總合圖錄》三編，第一卷，東京大學出版會，東京，2013年，A50-258，頁225

Little, Stephen, J. May Lee Barrett,《古調新歌：費立哲神父珍藏十九及二十世紀中國書畫》，檀香山藝術博物館，夏威夷，2007年，頁524-525

來源：
美國加州舊金山遠東藝術中心