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Home > Auction >  Masterpieces of Japanese Art from a Royal Collection >  Lot.25 Meiji era (1868–1912), 1880s SHIBATA ZESHIN 柴田是真 (1807–1891) ZANSAISAGE OR TONKOTSU (CONTAINER FOR FOOD SCRAPS) WITH A STABLE AT NIGHT 夜の厩図蒔絵残菜提

LOT 25 Meiji era (1868–1912), 1880s SHIBATA ZESHIN 柴田是真 (1807–1891) ZANSAISAGE OR TONKOTSU (CONTAINER FOR FOOD SCRAPS) WITH A STABLE AT NIGHT 夜の厩図蒔絵残菜提

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GBP60,000
Estimate  GBP  60,000 ~ 80,000

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邦瀚斯

Masterpieces of Japanese Art from a Royal Collection

邦瀚斯

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SHIBATA ZESHIN 柴田是真 (1807–1891) ZANSAISAGE OR TONKOTSU (CONTAINER FOR FOOD SCRAPS) WITH A STABLE AT NIGHT 夜の厩図蒔絵残菜提Meiji era (1868–1912), 1880sA zansaisage (container for food scraps) with dark green seidō-nuri ground, decorated in gold and coloured hiramaki-e, takamaki-e, and other techniques, and with mother-of-pearl; on one side, a horse emerging from a broken-down stable to eat or drink from a wood pail hung from the branch of a willow tree, the tree continuing onto the reverse; the lid of plain wood; the interior with seidō-nuri ground; the lacquered netsuke in the form of a broken-off piece of ink decorated in relief with musical instruments; the zansaisage and netsuke both signed Zeshin 是真 in incised charactersZansaisage: 5.1cm × 6.5cm × 3.4cm (2in × 2½in × 1⅛in)Netsuke: 3cm x 2.6cm x 1cm (1⅛in x 1in x ⅜in)With unrelated wood storage box (2)Provenance:Baron Gō Seinosuke (1865–1942) Collection郷誠之助旧蔵Grace Tsumugi Fine Art, London 2013, cat. no. 22Published:Nihon Netsuke Kenkyūkai 2003注脚This outstanding zansaisage was formerly in the collection of the businessman Baron Gō Seinosuke, best known in the art world for the collection of netsuke which he donated to Tokyo National Museum. Of senior samurai origin, he studied in Germany and on his return built an industrial conglomerate based on mining, paper, and clothing. He later served as Chairman of the Tokyo Stock Exchange and was appointed to the House of Peers in 1911. For another similar example, see Link, 1979, cat. no. 64.A design similar to this, but with the horse already eating or drinking from the bucket, is included in a collection of surimono (privately commissioned prints) by Zeshin, entitled Zeshin ga sōsho (Collected paintings by Zeshin) and dating from the Kaei era (1848–1854) to the Meiji era, in the National Diet Library (call number ゑ-258); a related zansaisage or tonkotsu is in the Honolulu Academy of Arts.Zeshin was fond of depicting broken-down buildings in both painting and lacquer, particularly in designs alluding to the penurious Chinese scholar Shain (Chinese: Che Yin). For examples, see Izzard 2007, cat. no. 40 and Earle and Gōke 1996, cat. no. 49).

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伦敦新邦德街

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  • Commission  GBP
  • 0 ~ 2,50027.5%
  • 2,501 ~ 300,00025.0%
  • 300,001 ~ 3,000,00020.0%
  • 3,000,001 ~ Unlimitation13.9%

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Other Lots in this session 25unit
Edo Period (1615–1868), late 17th–early 18th century MYŌCHIN MUNESUKE 明珍宗介 (1642–1726) SUJIBACHI KABUTO (RIDGED HELMET) 筋鉢兜

LOT 1

Meiji era (1868–1912), circa 1884 SHIBATA ZESHIN 柴田是真 (1807–1891) URUSHI-E (LACQUER PAINTING) OF MUSHROOM-GATHERING IN AUTUMN FIELDS 秋野辺茸図漆絵掛軸

LOT 10

Meiji era (1868–1912), circa 1883, and Showa era (1926–1989), 1929 SHIBATA ZESHIN 柴田是真 (1807–1891) KAKEJIKU (HANGING SCROLL) DEPICTING SHOKI AND ONI, WITH FITTED WOOD TOMOBAKO PAINTED BY SHŌJI CHIKUSHIN 庄司竹真 (1854–1936) AND JIKUSAKI (ROLLER ENDS) LACQUERED BY SHŌJI HŌSHIN 庄司芳真 (1898–1993)  朱円窓鍾馗図掛軸

LOT 11

Meiji era (1868–1912), circa 1870–1890 SHIBATA ZESHIN 柴田是真 (1807–1891) TANZAKU (POEM CARD) WITH URUSHI-E (LACQUER PAINTING) OF A GOURD 瓢箪図漆絵短冊

LOT 12

Meiji era (1868–1912), dated 1888 and 1889 SHIBATA ZESHIN 柴田是真 (1807–1891) PAIR OF SIX-PANEL SCREENS DEPICTING THE LEGEND OF TAKASAGO 高砂図六曲屏風一双

LOT 13

Meiji era (1868–1912), dated 1883 SHIBATA ZESHIN 柴田是真 (1807–1891) LACQUERED WOOD PANEL WITH DESIGN OF FARMHOUSE IN THE SNOW AT SANO 雪中佐野(「鉢の木」)図蒔絵額面

LOT 14

Meiji era (1868–1912), circa 1870–1890 SHIBATA ZESHIN 柴田是真 (1807–1891) SMALL BOX WITH DESIGN OF AUTUMN GRASSES 秋草図素彫小箱

LOT 15

Meiji era (1868–1912), circa 1870–1890 SHIBATA ZESHIN 柴田是真 (1807–1891) ZANSAISAGE OR TONKOTSU (CONTAINER FOR FOOD SCRAPS) WITH DESIGN OF WAVES AND PLOVERS 波千鳥図蒔絵頓骨

LOT 16

Meiji era (1868–1912), circa 1870–1890 SHIBATA ZESHIN 柴田是真 (1807–1891) ZANSAISAGE OR TONKOTSU (CONTAINER FOR FOOD SCRAPS) WITH DESIGN OF THE MOON AND MARE'S-TAIL 月に杉菜図蒔絵残菜提

LOT 17

Meiji era (1868–1912), late 1880s SHIBATA ZESHIN 柴田是真 (1807–1891) DOOR WITH AUTUMN MAPLE-VIEWING SCENE 紅葉狩図蒔絵板戸

LOT 18

Edo period (1615–1868), circa 1855 SHIBATA ZESHIN 柴田是真 (1807–1891) SWEET DISH IMITATING PEWTER 砂張盆写菓子器

LOT 19

Edo Period (1615–1868) or Meiji era (1868–1912), 19th century MYŌCHIN YOSHIHISA 明珍吉久 IRON ARTICULATED MODEL OF A TOAD 蝦蟇自在鉄置物

LOT 2

Meiji era (1868–1912), circa 1870–1890 SHIBATA ZESHIN 柴田是真 (1807–1891) TSUBA (SWORD GUARD) WITH RED-PEPPER DESIGN 唐辛子図蒔絵喰出鐔

LOT 20

Meiji era (1868–1912), circa 1870–1890 SHIBATA ZESHIN 柴田是真 (1807–1891) SAYA (SCABBARD) WITH DESIGN OF GINGKO NUTS 銀杏図蒔絵脇差拵

LOT 21

Meiji era (1868–1912), circa 1886 SHIBATA ZESHIN 柴田是真 (1807–1891) INRŌ (MEDICINE CASE) WITH DESIGN OF SHŌKI THE DEMON-QUELLER AND A DEMON, AND NETSUKE (TOGGLE) WITH SAKE-BOTTLE DESIGN 鍾馗鬼遣図蒔絵鞘印籠 酒瓢図蒔絵根付

LOT 22

Meiji (1868–1912) or Taisho (1912–1926) era, late 19th–early 20th century ATTRIBUTED TO ISHIBASHI SŌJIRŌ (HEISHŪSAI) 石橋平秀齋 推定 (1847–1918) INRŌ (MEDICINE CASE) WITH BLUE-LACQUER GROUND 菊に蝶図蒔絵青漆印籠

LOT 23

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