LOT 1445 A Guan-type faceted vase (fanghu) - China, seal ma…
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A Guan-type faceted vase (fanghu) - China, seal mark and period of Yongzheng (reigned 1722-1735), of rectangular section, the sturdily potted pear-shaped body sweeping up to a tall neck flanked by a pair of rectangular lug handles, covered overall save for the footring with a pale greyish-blue glaze featuring two-tone crackle (footring covered in brown slip), the base inscribed in underglaze blue with a six-character seal mark, slight traces of age,ca.30,5x24,5x17cm 雍正 仿官釉四方貫耳弦紋尊 “大清雍正年製” 本品摹自宋代官窯貫耳瓶樣式略加化裁而成,造型古樸端莊。其形近乎四方,古拙而硬朗,左右設貫耳,頸部雙耳間置四道弦紋為飾。其釉古雅厚潤,紋片舒朗自然。底足平扁而飾黑褐之色,以摹鐵足之效。觀之古意盎然,可謂曠世絕品。 雍正時期禦窯廠瓷藝精進,集歷代名品之大成,是與胤禛的喜好情趣密切相關。其對宋器的鐘情源於獨特的傳統文人情懷,以宋人審美為自身品味追求的標準,為天下雅士所遵循,仰慕之情往往體現在對趙宋窯器的摹仿之上。故摹仿之首要當推官窯古器。雍正十三年乙卯冬月,唐英總結雍正壹朝瓷業成就所作的《陶成紀事碑》將仿官釉置於五十七種重要供禦瓷器品類之首,其意可見。 雍正皇帝對摹制宋器的理念是好古而不泥古,誠如唐英所言“仿舊須宗雅則”,不是壹味貼近原物為佳,而是取其最精華最高雅之處而臨摹,更重視氣韻神髓之相似。因此,雍正皇帝在摹古行為中也深深融入其自身的審美與對古物本身的理解,所得摹作乃經其親自化裁而成。
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