A RARE POLYCHROME LACQUER CIRCULAR BOX AND COVERXuande six-character mark and of the period The cover decorated with two bearded scholars each carrying a guqin under their arms, all beneath a gnarled pine tree with finely incised grain on a rock ledge, mountains and clouds in the distance, all on a diaper-pattern ground, the sides with wave patterns, the interior and base lacquered black, with fitted box. 11cm (4 2/8in) diam. (3). 明宣德 彩漆戧金松下高士紋圓蓋盒 「大明宣德年製」楷書刻款 Provenance: Idemitsu Museum, Tokyo 來源：出光美術館,東京 Endowed with cosmological and metaphysical significance and empowered tomunicate the deepest feelings, the guqin , beloved of sages and of Confucius, is the most prestigious instrument in China and played an important part in the musical rituals of the Ming dynasty. The 'Collected Statutes of the Ming Dynasty' Da Ming Huidian records that the 'The Harmonious Ensemble' ( Zhonghe Shaoyue ) which played Court ritual music during ceremonial occasions, had ten guqin in their orchestra. The guqin was also played in private contexts or in small gro and many Ming dynasty princes and emperors were aplished musicians themselves. Some Ming princes even made important contributions to musicology and music theory. For example, the first Prince of Lu (1568-1614), brother to the Wanli emperor, had hundreds of guqin made for his household and in 1634 wrote a treatise about the instrument, the Guyin Zhengzong ; see J.Kenneth Moore, et al, Musical Instruments: Highlights of the Metropolitan Museum of Art New York , New York, 2015, p.63. pare with a related circular box and cover, but made of only red lacquer, Xuande six-character mark and of the period, illustrated by S.Kwan, Chinese Lacquer: The Muwen Tang Collection Series , Hong Kong, 2010, pp.196-197, no.56. See also a related polychrome lacquer circular box and cover, 15th century, but decorated with lotus, illustrated by N.de Bisscop and W.G.de Kesel, Chinees Lakwerk , Zutphen, 1982, p.95. See also a related polychrome lacquer round box and cover, incised Xuande six-character mark and of the period, of similar palette, in the Qing Court Collection, illustrated in Theplete Collection of Treasures of the Palace Museum: Lacquer Wares of the Yuan and Ming Dynasties , Hong Kong, 2006, pp.86-87. A larger related box and cover, incised Xuande six-character mark and of the period, in the Qing Court Collection, is illustrated in ibid ., p.88, no.62. See also a polychrome lacquer incense stand with related landscape design, 16th/17th century, illustrated in Karamono: Imported Lacquerwork - Chinese, Korean and Ryukyuan (Okinawa): Selections from the Tokugawa Art Museum , Nagoya, 1997, no.123. See also a related polychrome lacquer circular box and cover, Xuande mark and of the period, illustrated in 100 Masterpieces of Asian Art from the Tokyo National Museum , Tokyo, 2009, no.54.