清 王翬傚江参山水图清 王翬傚江参山水图设色纸本 立轴 一七一六年作121.5 x 48 cm. (47 7/8 x 18 7/8 in.)题识：巖边树色含风冷，石上泉声带雨秋。江参画，耕烟追倣大意。钤印：王翬之印、石谷、江左又题：江贯道真本，余从嘉禾曹氏借观，沉郁古雅，脱尽穠织工丽之习，极似巨然一派。香光居士尝师之。丙申（1716年）九秋石谷王翬 。钤印：王翬之印、耕烟散人时年八十有五、海虞、臞樵雅趣、耕烟老人王南屏（1924-1985）裱边藏印：武进王氏、南屏珍藏陈定山（1897-1987）题签：石谷老人倣江贯道巖边树色神品。定山题。注：陈定山，现代书画家、美术史论家。杭州人，名蘧，字蝶野。四十岁后改字定山。FROM THE COLLECTION OF ANNA FANG, MADAME WONG NAN-PING (LOTS 824-829)Anna Fang (1924-2022) was the wife of the renowned connoisseur Wong Nan-ping (1924–1985), distinguished collector of Chinese paintings and calligraphy of the twentieth century. The couple met during their studies in Shanghai. They moved to Hong Kong in the late 1940s, where they continued their pursuit of collecting and studying paintings and calligraphy. A leading member of the collecting group Min Chiu Society, for decades Wong Nan-ping formed deep friendships with artists and collectors, often travelling between Hong Kong and Taiwan accompanied by Madame Wong. In the 1970s, the couple frequently visited the United States and Canada to visit their children, and during these trips, they were able to visit North American museums and universities. Madame Wong thus became acquainted with many scholars, collectors and artists.After Wong Nan-ping passed away in 1985, Madame Wong donated the important calligraphy by Wang Anshi (1021-1086) and the Southern Song edition of his complete works to the Shanghai Museum, fulfilling the long-held wish of her late husband. With intimate knowledge of the collecting journey of Wong Nan-ping, she also contributed to the touring exhibition of masterpieces from the Jade Studio, beginning at the Yale University Art Gallery in 1993, and the seminal publication The Jade Studio: Masterpieces of the Ming and Qing Painting and Calligraphy from the Wong Nan-ping Collection, compiled and published by preeminent scholars including Richard Barnhart that followed. This spring, Christie’s is honoured to present a selection of paintings from the collection of Anna Fang, Madame Wong Nan-ping. A close companion and partner in life and art of Wong Nan-ping for nearly four decades, Madame Wong not only played a crucial role in the founding of the Jade Studio Collection, and also in the preservation and continuation of its legacy.Details WANG HUI (1632-1717)Landscape in the Style of Jiang ShenHanging scroll, ink and color on paper121.5 x 48 cm. (47 7/8 x 18 7/8 in.)Inscribed and signed, with eight seals of the artistDated autumn, ninth month, bingshen year (1716)Two collector’s seals of Wong Nanping (1924-1985) on the mountingTitleslip by Chen Dingshan (1897-1987) Literature Richard M. Barnhart et al., The Jade Studio: Masterpieces of Ming and Qing Painting and Calligraphy from the Wong Nan-p’ing Collection, Yale University Art Gallery, New Haven, 1994, pp.190-192, pl.56.Tian Hong, Wang Nanping’s Collection of Ancient Chinese Paintings, Vol.2, Tianjin People’s Fine Art Publishing, Tianjin, July 2015, p.434, pl.141. Exhibited New Haven, Yale University Art Gallery, The Jade Studio: Masterpieces of Ming and Qing Painting and Calligraphy from the Wong Nan-p’ing Collection,, 9 April 1993-31 July 1994.Ann Arbor, University of Michigan Museum of Art, The Jade Studio: Masterpieces of Ming and Qing Painting and Calligraphy from the Wong Nan-p’ing Collection, 10 September-19 November 1994.Hong Kong, Chinese University of Hong Kong Art Gallery, The Jade Studio: Masterpieces of Ming and Qing Painting and Calligraphy from the Wong Nan-p’ing Collection, 16 December 1994-25 February 1995.Lawrence, Kansas, Spencer Museum of Art, The Jade Studio: Masterpieces of Ming and Qing Painting and Calligraphy from the Wong Nan-p’ing Collection, 9 April 9-18 June 1995. Conditions of sale