A Chelsea model of a flycatcher c.1750-52, after a print by George Edwards, perched on a stump painted with pink rose and other flowers, the bird~s plumage brightly enamelled, its head turned slightly to the left, raised red anchor mark, the floral decoration added by a London atelier, some restoration to the beak, a repair at the top of the stump, 10.5cm.Paper label for the Lady Ludlow Collection, No. 110.Cf. Paul Crane, ~Nature, Porcelain and Enlightenment: George Edwards and the Chelsea Porcelain Birds~, ECC Transactions, Vol. 28, p.55, figs. 59 and 60 for the original print and an example in porcelain. The floral decoration is similar to that found on pieces from Charles Gouyn~s Girl on a Swing factory, but is less common on Chelsea examples.