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Home > Auction >  Early autumn Asian Antique & Art, Painting >  Lot.200 Changsha Kiln ewer

LOT 200 Changsha Kiln ewer

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Early autumn Asian Antique & Art, Painting

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长沙窑执壶 拍品尺寸:18.5cm; 藏品来源:加拿大资深藏家收藏品长沙窑兴盛于唐代中晚期,衰落于五代时期,是我国唐代最富盛名的瓷窑之一。尤其是长沙窑的釉下彩绘装饰技术的普遍使用,开中国彩瓷之先河。除此之外,长沙窑模印贴花技术的广泛使用,也是它的另一大特色和亮点这把壶器形非常饱满,而且有两个系,也是做的非常圆滚,这种特别饱满的器形,如果按气质来看,就会想到唐朝,唐朝尚肥尚满,唐朝的美女都是要那种以肥为美。此壶的窑口在自湖南长沙,为长沙窑执壶。长沙窑器物生产非常精美,在唐朝,作为外销瓷 销到世界各地,影响非常,这于唐朝一个历史事件有关系,安史之乱,北方已经乱了,南边的人就迎来了大量的北方迁移的人口,包括当时的北方的工匠,也都迁到南边。所以成就了长沙窑。 长沙窑上面,贴塑的这些花纹上面有很多果实。这种贴塑的花纹,我们都认为是葡萄,其实这是一种特有的植物,叫做椰枣。当时阿拉伯世界,认为椰枣是圣果,有这么一句谚语:椰枣树啊,你是阿拉伯人的母亲 、姑母、 姨妈。证明椰枣树是养育他们长大的。再有一点,这个椰枣的果实有个特殊的功效,它在妇女临盆的时候,吃椰枣呢 容易顺产。所以这也是一个生育的象征,一个多子的象征。那么这样非常吉祥的图案呢,就会贴在这个长沙窑瓷器上面来。这个用途其实和茶没关系,这个壶的发展是从短流到长流的一个发展过程。这个壶流的长短就这么长,这个长短是代表唐朝壶具的一个特征。胎釉的特征,上面有细密的这个开片,唐代的三彩低温釉陶器,都有细密的开片,阳光照射下,那个开片闪烁着晶莹的光泽,这是真品的一个特征。最重要的是这个模印工艺,唐朝的铜镜做得好,那么板模好,当时生产这个纹饰的时候是拿一个模具,拿一片泥,把这个模具上面的花纹模印出来,形成一个有花纹的泥片,贴在器物表面,这个纹饰和我们唐代的铜镜上面的纹饰,异曲同工非常地相近,故而此器为一件唐代长沙窑,精品之作的东西。参考资料:“广东省博物馆游记” 一文 : 图片:长沙窑青釉贴花壶 唐网址:http://blog.sina.com.cn/s/blog_4e9490000102w2kl.html ---------------------------------Changsha kiln pots in the late Tang Dynasty, declined in the Five Dynasties period, is one of the most famous porcelain kilns in the Tang Dynasty. Especially in the kiln of the underglaze painting decorative technology commonly used, open the first of China's porcelain. In addition, the widespread use of the decanage of the Changan kiln mold is also another major feature and highlight of it. This pot is very full, and there are two lines, and it is also a very round roll. Shaped, if the temperament point of view, you will think of the Tang Dynasty, Tang Shangfei is still full, Tang's beauty is to the kind of fat for the United States. This pot of kiln in Changsha from Changsha, Changsha kiln pot. Changsha kiln artifact production is very beautiful, in the Tang Dynasty, as exported to the rest of the world, the impact is very, this is a historical event in the Tang Dynasty, Anshi chaos, the North has been chaotic, the south of the people ushered in a large number of northern migration Of the population, including the then craftsmen of the north, also moved to the south. So the achievements of the Changsha kiln. Changsha kiln above, paste the plastic above these patterns have a lot of fruit. This kind of paste the pattern, we all think that grapes, in fact, this is a unique plant, called dates At that time the Arab world, that dates are holy fruit, there is such a proverb: palm tree ah, you are the Arab mother, aunt, aunt. Prove that the jujube tree is raising them up. Another point, the fruit of this date has a special effect, it is in the women's production time, eat jujube it is easy to produce. So this is also a symbol of birth, a symbol of more than one. Then this is a very auspicious pattern, it will be affixed to the Changsha kiln porcelain above. In fact, this use and tea does not matter, the development of this pot is from a short flow to a long flow of a development process. The length of the pot stream is so long, this length represents a feature of the Tang Dynasty pot. The characteristics of the glaze, fine above the opening of the film, the Tang Dynasty three-color low-temperature glaze pottery, have a fine opening film, the sun shines, the opening piece of sparkling crystal luster, which is a feature of the real thing. The most important thing is the mold printing process, the Tang Dynasty bronze mirror done well, then the plate is good, when the production of this decoration is to take a mold, take a piece of mud, the mold above the pattern die out, forming a There are patterns of mud, affixed to the surface of the objects, this decoration and our Tang Dynasty bronze mirror above the decoration, similar work is very similar, so this device is a Tang Dynasty Changsha kiln, fine for things. Reference: "Guangdong Province Museum Travels" Article: Photo: Changsha kiln green glaze paste pot pot Website: http://blog.sina.com.

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