祭红釉苹果尊：拍品尺寸：高：6.4cm ，直径：8.6cm . “大清康熙年制”六字青花楷书款识。 拍品来源：北美著名古董商早期收藏品。这是一件非常珍贵的，季红釉色极为漂亮，光洁，明亮，釉质细腻如凝脂的，清代道光官窑制作的季红单色釉苹果尊，器物的底部书写楷书体“大清康熙年制”六字青花款识。她的品相完好无损，极为难得。她的器型俊美，釉色肥厚红润，就如一个熟透了的红苹果，她是清代季红单色釉瓷器的杰作，收藏价值极高。历史上．鲜红釉瓷器曾倍受人们以及历代帝王的珍爱．其中清代的乾隆皇帝对鲜红釉瓷更是喜爱有加，每每摩挲把玩，倍加赞赏．他的诗：“雨过脚云婪尾垂，夕阳孤鹜照飞时。泥澄铁镟丹砂染。此碗陶成色肖之。”就是在吟咏明代宣德时期的宝石红釉碗。 资料参考：紅釉從元代開始燒制，屬於高溫銅紅釉瓷，到明初永樂時期變得鮮紅，宣德時期的寶石紅都燒製得很成功，可是宣德以後每況愈下，紅釉幾乎達到失傳的境地，知道康熙時才得到恢復和非凡的發展，這時紅釉品種增多，在單色釉中非常突出，有豇豆紅、郎窯紅、祭紅等。 霽紅釉：霽紅釉色又称为祭紅、鮮紅釉色。霽紅是康熙時仿永樂、宣德時的品種，既不像郎窯紅的濃艷透亮，也非豇豆紅之淡雅柔潤，而是一種失透深沉的紅釉。 祭红釉色呈色均勻，釉面有橘皮紋，垂流到底足呈深紅或黑紅色；釉薄的顏色較淺淡，沒有橘皮棕眼，非常平凈，口邊飾很細很齊整的白釉形成「燈草口」。 常見的器型有僧帽壺、梅瓶、高足碗、盤、碗等，款識多青花六字兩行楷書款，也有暗刻楷書款的，另外還有無款的及署選的款的。 霽紅是明代永宣年間景德鎮陶工們不斷實踐中新創的品種，原名鮮紅。因當時皇室用這種紅瓷做祭器，所以後人便以「祭紅」稱之。由於其色彩猶如雨過天晴時之霞霽而得名「霽紅」。------------------------------------------------------------------------------------------ Sacrifice red glaze apple esteem: Lot size: height: 6.4cm, diameter: 8.6cm. "Da Qing Kangxi year system" six-character blue and white Calligraphy knowledge. Lot source: Early collections of famous antique dealers in North America. This is a very precious, red glaze color is very beautiful, smooth, bright, enamel delicate as fat, the red color monochrome glaze apple made in Daoguangguan kiln in the Qing Dynasty, the bottom of the object is written in the book “Da Qing Kangxi Year Zhi” of six-character blue and white. Her appearance is intact and extremely rare. Her style is beautiful, the glaze is plump and ruddy, just like a ripe red apple. She is a masterpiece of the Qing Dynasty monochrome red glazed porcelain, which has a high collection value. in history. The bright red glazed porcelain has been cherished by people and the emperors of all ages. Among them, the Emperor Qianlong of the Qing Dynasty loved the bright red glazed porcelain, and he often praised it. His poem: "The rain is over the feet, the clouds are sloping, and the sunset is solitary. The mud is smashed with iron and sand. This bowl is made of terracotta." It was the glazed red glaze bowl in the Xuande period of the Ming Dynasty. Reference: Red glaze began to burn from the Yuan Dynasty. It belongs to high-temperature copper red glazed porcelain. It became bright red during the Yongle period in the early Ming Dynasty. The gems of Xuande were burned very successfully, but after Xuande went from bad to worse, the red glaze almost reached the loss. The situation, when Kangxi was known to be restored and extraordinary development, then the variety of red glaze increased, prominent in the monochromatic glaze, there are cowpea red, Langyao red, sacrifice red and so on. Red glaze: Red glaze is also known as red, bright red glaze. The blush is a variety of Kangxi when it is like Yongle and Xuande. It is not like the bright and bright of Langyao red, nor the soft and delicate of the bean red, but a deep red glaze. The red glaze color is uniform, the glazed surface has orange peel, and the vertical flow is deep red or black red; the glaze is lighter in color, without orange peel and brown eyes, very flat, and the mouth is very fine and neat. The white glaze forms the "light grass mouth". Common types include hooded pots, plum bottles, high-foot bowls, plates, bowls, etc., and there are many blue-and-white six-character scripts, as well as dark-edged books, as well as unpaid and selected models. The blush is a new breed created by Jingdezhen pottery workers in the Yongduan period of the Ming Dynasty. It was originally known as bright red. Because the royal family used this red porcelain as a ritual, the descendants called it "the sacrifice of the red." It is named "Bloom" because its color is like the glory of the sun when it rains.