唐代三彩刻画纹饰皮囊壶：尺寸：高 20.4cm. 此器整个品相完好无损。说明：此器整个品相完好无损。 此水盂色彩大气磅礴，亮丽如丝，较明显的唐三彩自然风化痕迹，当属唐三彩中的佳作。虽经历了千年风霜，其色彩依然靓丽如初，风韵依然不减当年。 唐三彩是一种盛行于唐代的陶器，以黄、褐、绿为基本釉色，后来人们习惯地把这类陶器称为 “唐三彩”。唐代是中国封建社会的鼎盛时期，经济上繁荣兴盛，文化艺术上群芳争艳，唐三 彩就是这一时期产生的一种彩陶工艺品，它以造型生动逼真、色泽艳丽和富有生活气息而著称。 唐三彩的生产已有1300多年的历史了，它吸取了中国国画、雕塑等工艺美术的特点，采用堆贴、 刻画等形式的装饰图案，线条粗犷有力。唐三彩是一种低温釉陶器，在色釉中加入不同的金属 氧化物，经过焙烧，便形成浅黄、赭黄、浅绿、深绿、天蓝、褐红、茄紫等多种色彩，但多以黄、 褐、绿三色为主。它主要是陶坯上涂上的彩釉，在烘制过程中发生化学变化，色釉浓淡变化、 互相浸润、斑驳淋漓、色彩自然协调，花纹流畅，是一种具有中国独特风格的传统工艺品。 唐三彩的在色彩的相互辉映中，显出堂皇富丽的艺术魅力。唐三彩用于随葬，做为明器， 因为它的胎质松脆，防水性能差，实用性远不如当时已经出现的青瓷和白瓷。 【历史】1905-1909年，陇海铁路修筑期间，洛阳北邙山一带因工程而毁坏了一批唐代墓葬，发现了为数 众多的唐三彩随葬品。常见的出土唐三彩陶器有三彩马、骆驼、仕女、乐伎俑、枕头等。尤其是 三彩骆驼，背载丝绸或驮着乐队，仰首嘶鸣，那赤髯碧眼的骆俑，身穿窄袖衫，头戴翻檐帽，再 现了中亚胡人的生活形象，使人联想起当年骆驼叮当漫步在"丝绸之路"上的情景。 　唐代是我国封建朝代的鼎盛时期，唐三彩从另外一个侧面也反映了这种唐王朝的政治 、文化、生活，它跟唐代诗歌、绘画、建筑其他文化一样，共同形成了唐王朝文化的旋律， 唐三彩在唐代陶瓷史上是一个划时代的里程碑，因为在唐以前，只有单色釉， 最多就是两色釉的并用，在我国的汉代，已经有了两色，就是黄色和绿色的两种釉彩在同一器物 上的使用。那么到了唐代以后，就是说这种多彩的釉色在陶 瓷器物上同时得到了运用。有的就是从陶瓷史上有人考证讲，这和唐代当时的审美观点起了很大 的变化有关系。在唐以前人们崇尚的是素色主义吧，到唐代以后，它包容了各种文化，包容了外 来的好多文化，那么就是说这个时候从绘画也好，从陶瓷也好，从金银器的制作也好，它形成了 一个灿烂文化的这么一个特点。 　　 【特点】唐三彩的特点可以归纳为两个方面，首先是造型。从造型方面来讲，它的造型与一般的工艺品的 造型不同，与其他时代出土的马也不同。唐三彩的造型丰富多彩，一般可以分为动物、生活用具 和人物三大类，而其中尤以动物居多。人物一般以宫廷侍女比较多，这个反映就是当时的宫廷生活有关。 马的造型比较肥硕，这个马的品种，据说是从当时西域那边进贡过来的，所以和我们现在看到的 马的形状有点不大相同，马的臀部比较肥，颈部比较宽。唐马的造型特点，它是以静为主，但是 静中带动，你们看到这是一匹静立的马。但是它通过马的眼部的刻画，马的眼部是刻成三角形的， 眼睛是圆睁的，然后马的耳朵是贴着的，它好像在静听或者听到有什么动静一样，它通过这样的 细部刻画来显示出来唐马的内在精神和内在的韵律。 唐三彩的另外一个特点就是釉色。作为一件器物上同时使用红绿白三种釉色，这在唐代本来就是 首创，但是匠人们又巧妙地运用施釉的方法，红、绿、白三色，让它交错、间错地使用，然后在 高温下经过高温烧制以后，釉色又浇融流溜形成独特的流窜工艺，出窑以后，三彩就变成了很多 的色彩，它有原色、有复色、有兼色，人们能够看到的就是斑驳淋漓的多种彩色，这是唐三彩釉 色的特点。 唐三彩器物形体圆润、饱满，与唐代艺术的丰满、健美、阔硕的特征是一致的。唐三彩的造型丰 富多彩，一般可以分为动物、生活用具和人物三大类，而其中尤以动物居多。三彩人物和动物的 比例适度，形态自然，线条流畅，生动活泼。在人物俑中，武士肌肉发达，怒目圆睁，剑拔弩张 ；女俑则高髻广袖，亭亭立玉，悠然娴雅，十分丰满。动物以马和骆驼为多。 唐三彩这一种工艺品的特点，它有中西文化的交流特点在里面，这个造型是鸡头器皿，从现在的 考证它当时是西域国家甚至中东国家的一种盛酒用的器皿，但是作为中原地区把它作为一种工艺 品来制作，并且人们的使用可以看到当时中西文化的交流。 【艺术魅力】唐三彩早在唐初就输出国外，深受异国人民的喜爱。这种多色釉的陶器以它斑斓釉彩， 鲜丽明亮的光泽，优美精湛的造型著称于世，唐三彩是中国古代陶器中一颗璀璨的明珠。------------------------------------------- Tang dynasty tri-colored vessel with engraved pattern skins pot: size: 20.4cm high.The whole product is intact. Description: This pot is magnificent in color, bright as silk, with obvious signs of natural weathering of tricolor glazed pottery of the tang dynasty, which should be one of the best works of tricolor glazed pottery of the tang dynasty. Although experienced millennium wind and frost, its color is still beautiful, charm is still not reduced in those days. Tri-colored glazed pottery of the tang dynasty is a kind of pottery prevalent in the tang dynasty, with yellow, brown and green as the basic glaze color, later people used to call this kind of pottery The tri-colored glazed pottery of the tang dynasty. The tang dynasty was the heyday of China's feudal society. It was prosperous in economy and colorful in culture and art Color is a kind of pottery handicraft produced in this period, which is famous for its vivid modeling, gorgeous color and rich life atmosphere. The production of tri-colored glazed pottery of the tang dynasty has a history of more than 1,300 years. Depict and other forms of decorative patterns, strong lines. Tri-colored glazed pottery is a low-temperature glazed pottery in which different metals are added to the colored glaze Oxide, after roasting, will form light yellow, ochre yellow, light green, dark green, sky blue, brown red, eggplant purple and other colors, but most of the yellow, Mainly brown and green. It is mainly painted on the ceramic glaze, chemical changes occur in the baking process, color glaze thickness changes, Mutual infiltration, mottled dripping, color natural coordination, smooth patterns, is a unique Chinese style of traditional crafts. The tri-colored glazed pottery of the tang dynasty shows a magnificent artistic charm in the mutual reflection of colors. The tri-colored glazed pottery of the tang dynasty was used as a funerary ornament. Because of its brittle foetus and poor waterproof performance, it was far less practical than the celadon and white porcelain that had appeared at that time. 【 history 】1905-1909, longhai railway construction period, north mangshan in luoyang destroyed a number of tang dynasty tombs because of the project, found a number of Numerous tri-colored glazed pottery of the tang dynasty was buried with funeral objects. Common unearthed tri-colored pottery of the tang dynasty includes tri-colored horses, camels, maidservants, figurines of leisha, pillows and so on. especially Tricoloured camels, with silks or bands on their backs, neighing with their heads raised, with red whiskers and blue eyes, wearing narrow sleeves and capes The life of the hu people in central Asia is reminiscent of the days when camels jingled along the silk road. The tang dynasty was the heyday of the feudal dynasty in China , culture and life, it forms the melody of tang dynasty culture together with other cultures of tang dynasty poetry, painting and architecture. Tri-colored glazed pottery of the tang dynasty was an epoch-making milestone in the history of tang ceramics, because before the tang dynasty, there were only single colored glazes, At most, the use of two-color glaze, in China's han dynasty, there have been two colors, namely yellow and green glaze color in the same object The use of. So after the tang dynasty, that is to say this colorful glaze in pottery Porcelain was also used. Some of them are from the history of ceramics, some people said that this is with the tang dynasty's aesthetic point of view Change matters. Before the tang dynasty, people advocated plain color theory. After the tang dynasty, it contained all kinds of cultures and foreign cultures A lot of cultures came here, so at this time from painting, from ceramics, from the production of gold and silver, it formed Such a characteristic of a splendid culture. The characteristics of tri-colored glazed pottery of the tang dynasty can be summarized into two aspects. From the modelling aspect, its modelling and the general handicraft The horses are different from those unearthed in other times. The tang tricolour's modelling is rich and colorful, can divide generally into the animal, the life appliance And human beings are divided into three categories, among which animals are the majority. Generally, the figure of the court maid is more, this reflection is related to the court life at that time. The shape of the horse is fat, this horse breed, it is said to be from the west at that time from the other side of the tribute, so with what we see now The shape of the horse is a little different. The horse has a fat rump and a wide neck. Tang ma's modeling characteristics, it is mainly static, but Static drive, you see this is a static horse. But it's depicted by the eyes of the horse, which are carved into triangles, The eyes are wide open, and then the horse's ears are close, and it seems to be listening or hearing something, and it goes through this Detailed description to show the internal spirit and internal rhythm of tang ma. Another characteristic of the tri-colored glazed pottery of the tang dynasty is its glaze color. As a utensil, red, green and white glaze colors were used at the same time, which was the case in tang dynasty First, but artisans and clever use of glaze method, red, green, white three colors, let it staggered, between the wrong use, and then in Under the high temperature after the high temperature firing, the glaze color and pouring melt flow slip to form a unique flow channeling process, after the kiln, tricolor becomes a lot of It has primary colors, complex colors, and concurrent colors. What people can see is variegated and dripping colors. This is tang tricolor glaze The characteristics of color. The shape of tri-colored pottery in tang dynasty is round and full, which is consistent with the characteristics of fullness, fitness and width of tang art. Tri-colored glazed pottery of the tang dynasty has many models Rich and colorful, generally can be divided into animals, living utensils and people three categories, and especially in the animal majority. Three colors of people and animals Moderate proportion, natural form, smooth lines, lively. In the figures, the warriors are muscular, angry and tense ; The female figures have high chignon and wide sleeves, graceful and graceful, elegant and plump. Most animals are horses and camels. Tri-colored glazed pottery of the tang dynasty is a kind of handicraft. It has the characteristics of communication between Chinese and western cultures in it It was used as a wine vessel in western countries and even middle eastern countries at that time, but it was used as a craft in central China Product to make, and the use of people can see the exchange of Chinese and western culture at that time. As early as the beginning of the tang dynasty, tricolor glazed pottery was exported to foreign countries and was deeply loved by foreign people. This multicoloured earthenware was richly glazed, The tri-colored glazed pottery of tang dynasty is a bright pearl in ancient Chinese pottery.