A LIFE-SIZED TERRACOTTA HEAD OF VAJRAPANI IN THE FORM OF HERACLES, GANDHARA Ancient region of Gandhara, 4th-5th century. Powerfully modeled with a stern facial expression, framed by dense facial hair arranged into long voluminous curls, with a billowing moustache and beard, and wavy hair tied into a bun on the side. The furrowed brow, indications of age, and piercing gaze reflect a taste for naturalism. Provenance: Arthur Huc (1854-1932). Marcel Huc, inherited from the above. Thence by descent within the same family. In 1954, L. Magniette, bailiff of the court in Toulouse (Huissier), was ordered to compile a complete inventory of the collection inherited by Marcel Huc from his father, Arthur Huc, the so-called "Inventaire Huc". The present lot is listed in this inventory as follows: "Serie de vingt deux têtes en terre-cuite. GANDHARA" (series of twenty-two terracotta heads. GANDHARA). A copy of the inventory list and cover page are accompanying this lot. Arthur Huc was the chief editor of La Depêche du Midi, at the time the leading newspaper in Toulouse, France. He was also an accomplished art critic and early patron of several artists, including Henri de Toulouse- Lautrec. At the same time, Arthur Huc was a keen collector of Asian art, a passion that he inherited from his legendary ancestor Evariste Regis Huc, also known as the Abbe Huc (1813-1860), a French Catholic priest and traveler who became famous for his accounts of Qing-era China, Mongolia and especially the then-almost-unknown Tibet in his book "Remembrances of a Journey in Tartary, Tibet, and China". Condition: Excellent, almost unique condition, fully consistent with the age of the sculpture, some firing flaws and insignificant material loss to some exposed areas, hardly noticeable due to a light-colored varnish coating which was applied long time ago. Scientific Analysis Report: A Thermoluminescence sample analysis has been conducted by Oxford Authentication, TL test no. N116n9, dated 18 October 2016, and is consistent with the suggested period of manufacture, a copy of the thermoluminescence analysis report accompanies this lot (the original is lost). Weight: 10.4 kg in total Dimensions: Height 34 cm (the head) and 47 cm (incl. base) This large terracotta head is an extremely rare legacy of the ancient kingdom of Gandhara, encapsulating the rich cultural interplay and hybrid art styles derived from Hellenistic and Indian influences. It depicts the bodhisattva Vajrapani, the protector of Buddhism, represented with the iconography of the Greek god Hercules, who was widely venerated as a hero and savior in western Asia during the early centuries of the present era. As a great champion, yet one who nevertheless understood the human condition, Hercules was easily assimilated into Mahayana Buddhism. Like other Gandharan bodhisattvas, he is depicted as an earthly prince with his aristocratic bearing and posture. However, his heavily moustached face belongs to the Indian world, while the naturalistic face is reminiscent of Greco-Roman sculpture. The kingdom of Gandhara lasted from 530 BC to 1021 AD, when its last king was murdered by his own troops. It stretched across parts of present-day Afghanistan and Pakistan. Gandhara is noted for its distinctive style in Buddhist art, which developed out of a merger of Greek, Syrian, Persian and Indian artistic influence. Gandharan style flourished and achieved its peak during the Kushan period, from the 1st to the 5th century. In the first century AD, Gandhara was the birthplace of some of the earliest Buddhist images. The use of hard-fired ceramic instead of stone such as schist was popular during the later Gandharan period from the 4th to the 6th centuries C.E. Fired clay was expensive in the area, because the wood needed for the firing process was scarce. Therefore, such an expensive sculpture would have been a highly meritorious Buddhist offering. Only very few terracotta statues from this period and size have ever been recorded. Literature Comparison: Compare with a terracotta head of Dionysos (The God of Wine and Divine Intoxication), 4th-5th century, strongly resembling the present lot, in the collection of the Metropolitan Museum of Art, New York (accession no. 1979.507.2). Mounted on an associated base. (2) Auction result comparison: Compare with a closely related terracotta statue of Vajrapani in the form of Hercules at Sotheby's Hong Kong in Curiosity V, 02 April 2019, lot 3105, bought in at an estimate of HKD $1.5 million to HKD $1.8 million 赤陶金剛手菩薩頭像，以海克力斯形象出現，健陀羅 健陀羅，四至五世紀，嚴厲的表情，濃密的波浪長髮捲曲在頭上結成髻，鬍鬚濃密。皺著眉頭，嚴厲的目光，顯示出自然主義的品味。 來源：此像源自法國阿瑟∙胡克（1854-1932）收藏。馬爾塞∙胡克繼承，家族保存。1954年1954年，圖盧茲法院的法警L. Magniette受命對馬爾塞∙胡克從其父親阿瑟∙胡克（即所謂的" Inventaire Huc"）繼承的藏品進行完整的清點。藏品清單中可見現有拍品。隨附清單拷貝。阿瑟∙胡克先生曾是圖盧斯市《快訊》極受歡迎的時政記者，直至1932年去世，他還是一個著名的藝術評論家。同時，他也開始收藏亞洲藝術。其收藏可追溯到額法李斯特∙雷吉斯∙胡克，又名阿貝∙胡克（1813-1860，中文名古伯察Evariste Regis Huc），一個法國傳教士，他在蒙古、西藏及中國的游記《鞑靼西藏旅行记》使他成名。 品相：極佳的獨一無二的品相，符合雕像的年代，一些燒製缺陷和一些裸露區域的材料缺損，這是由於很久以前使用的淺色清漆塗層，但不明顯。 隨附牛津熱釋光測試檢測證書拷貝 重量：縂10.4公斤 尺寸：頭像高 34厘米，含底座47厘米 文獻比較：一件赤陶狄俄倪索斯頭像，四至五世紀，與此拍品非常相似，可見紐約Metropolitan Museum of Art (編號 1979.507.2).