LOT 7829 FU BAOSHI & LIU YIGONG: INK AND COLOR ON FAN PAINTING WITH CALLIGRAPHY
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Height: 18 in (45.7 cm) Width: 12 1/4 in (31.1 cm)
Ink and color on fan leaf, folded fan. The fan painting depicts three scholars in mountain range, looking over waterfall, surrounded by trees, the reverse written with calligraphy in different writing styles, artist signature and marks Fu Baoshi and Liu Yigong.|||Height: 18 in (45.7 cm) Width: 12 1/4 in (31.1 cm)|傅抱石/劉毅官 虎溪三笑圖|釋文:一九六三年癸卯五月廿四日,傅抱石金陵並記。傅(朱)、癸卯(朱)淡如秋水閑中味,和似春風靜後功。熏周仁弟雅屬。杜陵東園銅壺容三鬥,重十三斤,永始元年供工長造,護昌守嗇。夫宗掾通主守左博丞守,官並省。杜陵壺銘。董昌器。漢董昌洗器銘。霸屯止寶賈彝。霸女彝銘。祥子之膳戈。祥子戈銘。周陽侯家銅三習,雝甗鍑一容,五鬥重十八斤六兩,侯治國五年五月,國輸苐四。右摹漢周陽侯甗銘。彬士劉毅官。劉毅官印(白)《虎溪三笑圖》是中國水墨畫的傳統題材。其中表現慧遠、陸修靜與陶淵明三聖的閑聞軼事。慧遠為佛學大師,蓮宗初祖,住錫廬山東林寺。陸修靜是住東林寺附近的道士,也有稱其為有道之士而非道家之人。陶淵明則剛從彭澤令任上辭官回家,住在山下潯陽。他們都是不問政事,志在山林,逃避現實的隱逸,三人聲氣相投,經常來往。據傳慧遠送客從不走過寺前虎溪之橋,過橋則旁有“站崗放哨”的神虎發出吼聲警告。一日,三人談興正濃,慧遠送客,邊走邊談,不覺越過了虎溪,神虎遂發出吼聲,於是三人相對開懷大笑。後世將其看做儒釋道三教親和的象徵,宋代以來,很多畫家都以此為題材進行繪畫創作。|深染傳統文化薰陶的傅抱石所繪的《虎溪三笑圖》,著重點不在慧遠、陶淵明和陸修靜這“三笑”,而在於三人所處環境,即是山水。因此在圖中,傅抱石刻意將人物畫小,而將人物所處的山水自然畫的充滿畫面,以宋人之法構圖和佈局,同時以高遠之法寫山巒,從而營造出一個大山大水的自然之景。傅抱石甚為注重筆墨的韻律與節奏,創造出既瀟灑自如又精工典雅的筆墨風神,表現章法新穎,特別將水、墨、彩融合於一體,使之翁鬱淋漓,氣勢磅礴的效果。成扇另面有劉毅官篆書書法,多為古時碑石銘壁之文,古韻風貌,其心如止水,無絲毫燥氣,尤有一番境界,古風氣息滿紙,一畫一文,博古通今相得益彰。
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