明 銅大勢至菩薩 Seated in dhyanasana on lotus pedestal, the right raised held in abhaya mudra, wearing a long flowing robe and dhoti bordered by stylised scrolling lotus, the open chest draped in an elaborate necklace, the face with a benevolent expression detailed with downcast eyes beneath high arched brows and above a bud mouth, surmounted by a crown beneath a domed ushnisha, with traces of gilt overall. 菩薩圓潤的面龐，始終微笑的臉頰令人望之而心安。微閉的眼神，那樣的柔和、慈祥，似乎可以化解芸芸眾生的一切苦難。左手置於膝前，右手拇指和中指輕拈，姿勢優美自然，栩栩如生。菩薩上身著雙領式通肩袈裟，胸部配飾瓔珞釧環，下身著高束腰長裙，衣紋處理採用了漢地傳統雕刻技法，自然流暢，生動寫實。整體做工精細，形態端莊，雕刻細緻入微，時代風格鮮明，為明代漢地造像。