Showa (1926-1989) and Heisei (1989-2019) era, circa 1933 and circa 1981-1995 Comprising three oban tate-e prints: the first titled along the bottom margin Osaka Soemon-cho no yu (Evening at Soemon-cho, Osaka) from the series Nihon fukei shu II Kansai hen (Collected Views of Japan II, Kansai Edition), not dated but circa 1933, published by Watanabe Shozaburo, with a Watanabe mokuhan bijutsu gaho kosaku seal along the lower right margin above the printer's seal Surishi Ono Gintaro, 39.4cm x 26cm (15½in x 10¼in); the two other prints, later reproductions, the first titled along the right margin Fuyu no tsuki, Toyamagahara (Winter Moon Over Toyama Plain), dated Showa rokunen junigatsu saku (Work of December, Showa 6 [1931]), published by Doi Eiichi circa 1981-1995 (orginally published by Doi Sadaichi), with a Hanken shoyu Doi Eiichi seal above the suri (printer) Seki and the hori (block-cutter) Harada seals, 39.5cm x 27cm (15½in x 10 5/8in); the second titled along the right margin Haru no tsuki, Ninomiya kaigan (Spring Moon at Ninomiya Beach), dated Showa shichinen sangatsu saku (Work of March, Showa 7 [1932]), published by Doi Eiichi circa 1981-1995 (orginally published by Doi Sadaichi), with a Hanken shoyu Doi Eiichi seal above the suri (printer) Seki and the hori (block-cutter) Harada seals, 39.6cm x 27cm (15½in x 10 5/8in); all signed Hasui with Kawase seal. (3).