LOT 0189 FIRE JADE VASE
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清代中期 火烧玉饕餮纹盖瓶:拍品尺寸:高度:18.8cm, 拍品来源:早期的古董商,资深收藏家。此器的制作,以新疆和阗玉为材,火烧着色而成,包浆温润,且料大质佳,玉质坚实,颇为难得。盖瓶造型规整,线条流畅,瓶盖顶部矩形纽打磨光滑,雕刻有饕餮纹饰,瓶身四壁雕饕餮纹,雕琢工艺娴熟精湛,为造办处典型风格样式。此饕餮纹饰盖瓶的瓶身,雕刻纹饰为典型的古代饕餮纹饰,饕餮纹饰的雕刻大气华丽,威武非凡,砣工精细,抛光亮丽,仿古风格浓郁,于狰狞神秘之中又现高贵古雅之气,既体现上古纹饰之气韵,又流露天朝盛世之雄姿,极近装饰之妙。整器选材精致,雕刻精美,腹部繁密,装饰效果浓厚,堪称佳器。清乾隆时期,仿古玉器的制作从数量到质量上都达到了一个高峰。乾隆皇帝更是特别看重仿古玉器,清宫档案记载其本人曾传旨要求“将做来白玉马照考古图内颜色烧造”,而制作成火烧玉。参阅:1、《北京文物精粹大系•玉器卷》,梅宁华、陶信成主编,北京市文物局,北京出版社,2002年10月,217页,图267。2、《宫廷之雅-清代仿古及画意玉器特展图录》,国立故宫博物院,中华民国八十六年元月,64页,图5--------------------------------------------------------------- Mid Qing dynasty Fire jade gluttonous grain cover vase: lot size: height: 18.8cm, lot source: antique dealer, senior collector. This ware is made of hetian jade from xinjiang province. It is dyed by fire. The pulp is warm and moist. The shape of the bottle cap is regular, the lines are smooth, the rectangular button on the top of the bottle cap is polished smoothly, and there are gluttonous patterns carved on the top of the bottle. This cover bottle of gluttonous grain, for the typical ancient gluttonous grain carving grain, gluttonous grain carving atmosphere with rich, mighty special, tuo fine, polishing bright, archaize style rich, in the ferocious mysterious and noble quaint now of gas, artistically reflected in ancient grain, and reveal celestial war high precision and very close to decorate. The whole selection of fine materials, exquisite carving, abdomen dense, decorative effect is strong, can be called a good. During the Qianlong period of Qing dynasty, the production of imitation jade reached a peak both in quantity and quality. Qianlong emperor is especially valued archaize jade, the Qing palace archives record its oneself ever ordered to "will do white jade horse according to the archaeological map color firing," and make into fire jade.Mei ninghua, tao xincheng (Ed.), Beijing cultural heritage bureau, Beijing publishing house, 2002, page 217, page 267.2. "Elegance in the palace - special exhibition of antique and painted jade in Qing dynasty", national Palace Museum, January 1986, page 64, figure 5
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