Attributed to Rene Portocarrero, it does not have a COA. Medium: oil canvas. 54 x 28 inches. Provenance: private owner. Biography: 1912 - 1985. Rene Portocarrero was a Cuban artist born in the neighborhood of El Cerro, Havana, in 1912, and died in Havana on April 27, 1985. He is noted for highly colorful, abstract paintings and also was a sculptor, ceramicist, scenic designer and book illustrator, publishing his own Las Máscaras (The Masks) in 1935 and El Sueño (The Dream) in 1939.As a muralist, he produced public artworks for the Havana Prison, a church in Bauta, Cuba, the Cuban National Hospital, the Cuban National Theatre and the Hotel Tryp Habana Libre.He started painting from a young age, and at 14, enrolled in San Alejandro Academy, but left early enough, having a strong temperament and unable to adapt to this apprenticeship. As a result, he is considered self-taught.His work was first exhibited in the Salon de Bellas Artes in Havana, and in 1934, he exhibited at the Havana Lyceum. The success of this event launched his career, which included in 1937 a collaboration with Mariano Rodriguez.In 1939, he became a professor of Paintings and Sculptures. He travelled and painted in Haiti, Europe and the United States, where in 1945, he had an exhibition in the Julian Levy Gallery, in New York. In 1950 he worked with Wifredo Lam, Mariano, Martinez Pedro and Amelia Palaez in the village of Santiago de las Vegas. In 1961 he had meetings with Fidel Castro in the Jose Marti National Library where they discussed culture.Rene received lessons in painting from Nicolás Guillén Landrián. In 1977 he worked for the Japan Women's Association. In 1979 he worked for UNESCO and AIAP. He knew Peggy Guggenheim.In the 1980s he was the teacher of Victor Miquel Moreno Piñeiro (Victor Moreno), cousin of Servando Cabrera Moreno.His works are among the permanent collections of the Museums of Modern Arts of Sao Paulo, Rio de Janeiro, New York, San Francisco; National Gallery in Canada; Bellas Artes, Caracas; Milwaukee Art Center; Union Panamericana, Washington; Modern Arts of Paris; Museum of Fine Arts, Houston; Art Museum, Indianapolis; Bellas Artes, Montevideo; Bellas Artes, Buenos Aires; Instituto de Arte Contemporaneo, Lima, Peru; Museo Nacional, Havana.In his lifetime, he won 'best collection' at the seventh São Paulo Art Biennial (1963), was honoured by the governments of Bulgaria and Poland, and given a seat on UNESCO's International Association of Fine Art. In 1981 he received the 'Felix Varela' prize from Cuba, and in 1982 he received the 'Aztec Eagle', Mexico's highest award. All authorship of items in this catalog are described according to the following terms: Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given. By [Artist Name] : The work is by the artist. Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship. In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist. After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist. Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil. Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil). American, 19th century: This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).