清 康熙 铜胎画珐琅锦鸡梅花水呈：拍品尺寸：高：4cm，底径：8.8cm，口径：3.7cm. 拍品来源：加拿大资深西人收藏家旧藏品 此器为铜胎，镀金圆口，器型恰似一个倒立的小碗，线条流畅，俊秀，玲珑尔雅。器内-外统施白釉，器外白地精绘四只神态各异，俊美鲜活的锦鸡，站立在梅花盛开的梅树枝上，似引颈鸣叫，又似百灵在歌唱。器底施浅蓝色釉，微内凹，书蓝色「康熙御制」无框双行楷书款。 查阅种种有关铜胎画珐琅的资料，发现有一件非常类似于本件拍品，请进入下面的网址，并仔细阅读和对比如下一件“清康熙画珐琅梅花水盛”： 参考资料：http://blog.51.ca/u-0309/?p=382 ? 2006年度世界最佳照片 幅幅都经典 台北故宫博物院（续五）珐琅瓷器类 清_康熙_画珐琅梅花水盛 高2.6公分 口径4.7公分。铜胎，镀金圆口，形似无颈垂腹胆瓶。器内施浅蓝釉，器外白地绘红白老干梅花，器底微内凹，书蓝色「康熙御制」无框双行楷书款（注解：这件珍罕的珐琅彩水盛，图片可参阅已上传的第九张图片，既是!)。通过仔细比较，研究，台北故宫博物院铜胎画珐琅水盛，和此次的拍品“画珐琅锦鸡梅花水呈”的制作工艺，绘画风格极为相似，如出一辙，尤其底部款识的描述，完全一致: 均为：器底微内凹，书蓝色「康熙御制」无框双行楷书款。这就完全印证为：本次拍品为清康熙画珐琅锦鸡梅花水呈，真品无疑。 参考资料：珐琅彩瓷器本系宫中秘藏，过去很少为世人所见，现时只有北京故宫博物院、台北故宫博物院和上海博物馆等少数几个单位比较集中收藏。著名的清代康熙-雍正-乾隆三朝珐琅彩瓷器绝大多数都藏在台北故宫。闻名于世的古月轩瓷胎珐琅器，是世界上其它地方所罕见的，但在台北故宫博物院却拥有450件。 珐琅器，又称洋瓷。从清代蓝滨南在其《景德镇陶录》一书中对画珐琅器的描述可知，画珐琅器是以金属铜做器骨(胎)，用五颜六色的瓷粉 (珐琅釉)经烧制而成。简单地说，画珐琅器是用珐琅釉料直接在金属胎上作画，经烧制而成，富有绘画趣味，因此也有人称之为“珐琅画”。画珐琅器的制作方法 是：先在己制成的红铜胎上涂施薄薄的一层白色珐琅釉，入窑烧结，并使其表面光洁平滑，然后以单色或多彩的珐琅釉料，按照图案纹饰设计要求，绘制花纹图案， 再经人窑焙烧显色而成。 清代康熙年间，中西方贸易禁止被解除后，欧洲的画珐琅器(洋瓷)传入中国，并以贡品、礼品等形式进大清宫廷。这些舶来的画珐琅工艺品，引起了 清代皇帝及王公大臣的关注，于是清政府分别在广州和北京宫廷专门设立了珐琅器制造作坊，借鉴掐丝珐琅器、瓷器和料器(玻璃器)的生产，并吸收欧洲画珐琅工 艺制作方法，经若干年努力，终于成功地烧制出了在图案题材、器物造型、珐琅色彩以及使用功能等各个方面，具有自身风格特点的画珐琅器，并且一直影响到现在。 珐琅器“精品中精品” 雍正皇帝（即爱新觉罗 胤禛）时期是金属胎珐琅器发展的重要阶段，从清宫造办处《各作成做活计清档》中来看，雍正朝烧制的金属胎珐琅器中，只有掐丝珐琅和画珐琅两种，这与目前所发现的清宫遗存实物是相吻合的。 一、掐丝珐琅 ，掐丝珐琅是在金、铜胎上以金丝或铜丝掐出图案，填上各种颜色的珐琅之后经焙烧、研磨、镀金等多道工序而成，它有着五彩斑斓、华丽夺目的魅力。 目前落雍正款的掐丝珐琅器，仅台北故宫典藏的一件仿古豆型器。此器铜胎，高10.1、口径7.1、腹径8.8、足径4.6厘米。器底镀金阴刻 “雍正年制”无框双行仿宋体款。此掐丝珐凤耳豆，器形俊秀玲珑尔雅，掐丝工整，粗细均匀，纹饰独特，布局紧凑，圆圈大小整齐划一，盖与器身接合精确，制作 精美绝伦，可说绝无仅有，系海内孤品。 二、画珐琅画珐琅是在金、铜胎上以珐琅粉直接描绘图案和画面，再经过烧制后显色而成，它富有绘画趣味，因此，亦可称之为“珐琅画”。 康熙五十年（1716年）以后，广州和欧洲的画珐琅器制作匠师先后进入清宫内廷珐琅作供职，参与指导并烧制画珐琅器，从此，清代画珐琅的生产走上了成熟、 规范化的发展道路。在此基础上到雍正埋藏，画珐琅器继承并发展了康熙晚期薄、平、光、艳、雅的风格特点，制作工艺日臻成熟和完善。--------------------------------------- Qing Kangxi enamel Jinji plum water was: Lot size: high: 4cm, bottom diameter: 8.8cm, caliber: 3.7cm. Lot Source: Canada senior Western collectors old collection. This is a copper tire, round mouth, type of type An inverted small bowl, smooth lines, handsome, exquisite elegance. Inside the device - outside the system of white glaze, the device outside the white fine painted four different demeanor, handsome fresh pheasant, standing in the flowers in full blooming plum tree, like the neck tweet, and like Braun singing. The bottom of the light blue glaze, slightly concave, the book blue "Kangxi imperial system" frameless double line regular article. Access to all kinds of information on the copper fountain enamel, found that there is a very similar to the pieces of the auction, please enter the following URL, and carefully read and compare the following one "Qing Kangxi painted enamel plum blossom": Reference: http://blog.51.ca/u-0309/?p=382 ?2006 World's best photo format is the classic Taipei Palace Museum (continued five) enamel porcelain class Qing _ Kangxi _ painted enamel plum water Sheng 2.6 cm high caliber 4.7 cm. Copper tires, gold-plated round mouth, the shape of non-cervical ventral bile bottles. Inside the application of light blue glaze, white and white painted white and white old plum, the bottom of the micro concave, the book "Kangxi imperial system" frameless double line book (Note: this rare enamel color water Sheng, pictures can be seen on the ninfth picture has been uploaded, both!). Through careful comparison, the study, the Taipei National Palace Museum copper tiles enamel water Sheng, and the auction "painted enamel Jinji plum water" production process, painting style is very similar, exactly the same, especially the bottom of the description of the knowledge, exactly the same: As follows: the bottom of the micro concave, the book blue "Kangxi imperial system" frameless double line regular script. This is fully confirmed as: the auction for the Qing Emperor Kangxi enamel Jinji plum water was, no doubt. Reference: enamel color porcelain of the Department of the palace secret, the past rarely seen for the world, now only the Beijing Palace Museum, Taipei Palace Museum and the Shanghai Museum and a few more concentrated collection of units. The famous Qing Dynasty Kangxi - Yongzheng - Qianlong three enamel porcelain most of the possession of the Forbidden City in Taipei. The famous ancient porcelain enamel enamel, is the rest of the world rare, but in the Taipei Palace Museum has 450 pieces. Enamel, also known as porcelain. From the Qing Dynasty, Lan Binnan in its "Jingdezhen Tao recorded," a book on the description of enamel device can be seen, painted enamel device is made of metal copper bone (tire), with colorful porcelain powder (enamel glaze) by firing Come into being. Simply put, painting enamel is enamel glaze directly in the metal tire painting, made by burning, rich in painting fun, so it was called "enamel painting." The enamel was prepared by applying a thin layer of white enamel glaze, sintered into the kiln and making it smooth and smooth on the already made red copper tires, and then with a monochrome or colorful enamel glaze , In accordance with the pattern design requirements, drawing patterns, and then by the kiln roasting color from. Qing Dynasty Kangxi years, the Sino-Western trade ban was lifted, the European painting enamel (foreign porcelain) into China, and tribute, gifts and other forms into the Qing court. These exotic paintings of enamel handicrafts, caused by the Qing emperor and princes minister's attention, so the Qing government in Guangzhou and Beijing, respectively, the court set up a special enamel manufacturing workshop, drawing from the cloisonne enamel, porcelain and feeder (glass) Production, and absorption of European painting enamel process production methods, after several years of efforts, and finally successfully burned in the pattern theme, artifacts, enamel color and the use of various aspects of the function, with its own style characteristics of the enamel device, and has been Affect now. This stripe silk enamel ear beans, hand-shaped handsome exquisite elegance, filigree neat, uniform thickness, unique decoration, compact layout, circle size uniform, cover and body fit precision, Solitary goods. Second, painting enamel enamel is in gold, copper tires to enamel powder directly depict the pattern and picture, and then after the color from the firing, it is rich in painting fun, therefore, can also be called "enamel painting." Kangxi fifty years (1716), Guangzhou and Europe, painting enamel production craftsmen have entered the palace of the Ming court enamel for the job, to participate in the guidance and firing enamel device, since then, the Qing Dynasty enamel production embarked on a mature, Standardized development path. On this basis to the Yongzheng buried, painting enamel inherited and developed the late Kangxi thin, flat, light, Yan, Ya style characteristics, the production process mature and perfect.