冯超然 画作 “云林高士图”： 纸本 设色 挂轴画作 ：40 x 84.5 cm. 钤印：冯超然；题诗：_____________________拍品来源：北美地区资深书画收藏家 ，真迹，珍藏品。注释：冯超然（1882-1954），名迥，号涤舸，别号嵩山居士，晚号慎得。原籍江苏常州，寓居上海嵩山路，署其居室为“嵩山草堂”。虽没有历史记载师承何人，但自幼喜欢画画，临摹各种古书古画，结识了很多精湛的书画艺术家，给自己的绘画垫下了结实的基础，提高了自己的绘画水平。在早年冯老先生以人物为主，多画仕女，以学习唐寅、仇英技法，画法苍秀、构思巧妙、笔墨俊雅。到了晚年时期才开始专攻山水绘画，有文徵明之气，冯老先生出身农民，因喜爱画画他十三、四岁就开始买画。冯老先生一身正气凛然，不受功名利禄的影响，在上海这座人才物质济济的城市，冯老先生凭借自己的绘画在上海取得了一席之地，标志着冯老先生在绘画造诣上颇深。冯超然早年学改琦仕女画，因改琦在上海的名气非常大，《墨林翰话》卷十一载曾记到：“都中贵人得其仕女珍于瑰宝，有百金勿肯易片者”。这足以说明改琦当时的影响力之大,他们以得改琦仕女为宝,百金不换。也说明工商致富的“都中贵人”对绘画题材的好尚是有明确偏向的。冯超然师法改绮、费丹旭可能也是出于对新兴市民阶层趣味的迎合。------------------------------------------------------------------------- Feng Chaoran's painting "Yunlin Coats Figure": paper, ink and color, hanging scroll painting: 40 x 84.5 cm. Seal: Feng Chaoran; inscription: _____________________ Lot source: senior collector of paintings and calligraphy in North America, authentic works, treasures. Note: Feng Chaoran (1882-1954), the name Jiong, the name Dige, the nickname Songshan Jushi, the evening name Shende. Originally from Changzhou, Jiangsu, he lives in Songshan Road, Shanghai, and his residence is called "Songshan Thatched Cottage". Although there is no historical record of who he inherited from, he likes to paint since he was a child, copying various ancient books and paintings, and met many superb calligraphy and painting artists, laying a solid foundation for his painting and improving his painting level. In his early years, Mr. Feng Lao focused on characters and painted many ladies, learning the techniques of Tang Yin and Qiu Ying, his painting techniques were brilliant, his ideas were clever, and his brushwork was elegant. It was in his later years that he began to specialize in landscape painting, and he was literary. Mr. Feng was born as a farmer. Because he loved painting, he started buying paintings at the age of thirteen or four. Mr. Feng is upright, not affected by fame and fortune. In Shanghai, a city with abundant talents and materials, Mr. Feng has gained a place in Shanghai by virtue of his paintings, which indicates that Mr. Feng has a lot of knowledge in painting. Feng Chaoran learned to reform Qi's beauty paintings in his early years. Because Gaiqi was very famous in Shanghai, the eleventh volume of "Mo Lin Han Hua" wrote: "The nobles in the capital have the treasures of the ladies. Filmmaker". This is enough to explain the great influence of Gaiqi at that time. They took the lady of Gaiqi as a treasure and did not change a hundred gold. It also shows that the “nobles in the capital” who got rich in industry and commerce have a clear preference for the subject of painting. Feng Chaoran and Fei Danxu may also be interested in catering to the emerging class of citizens.