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Home > Auction >  Fine and Decorative Arts - Antiques >  Lot.676 JOHAN BARTOLD JONGKIND - PAINTING

LOT 676 JOHAN BARTOLD JONGKIND - PAINTING

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EUR1,200
Estimate  EUR  1,300 ~ 4,000

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Auktionshaus Rheine

Fine and Decorative Arts - Antiques

Auktionshaus Rheine

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JONGKIND, JOHAN BARTOLD (Lattrop / Overijssel, NL 1819-1891 Saint-Egrève near Grenoble, F), Painting: Seascape with sailing ships and rowboat in the evening backlight, oil on canvas, signed lower left "Jongkind". Before evening sky with backlight sailing ships and landing rowboat. Summarized, partly impasto painting style. Jongkind, who combines in his paintings the artistic traditions of his Dutch homeland with the new currents of the Parisian art scene, shows in his paintings a great interest in the depiction of light and atmosphere; the often low horizon refers to his Dutch heritage. He preferred to work coastal and river landscapes. Jongkind, considered an important forerunner of the Impressionists, studied at the Academy in The Hague; he worked in the studio of Egene Isabey in Paris from 1848-1855 and alternated between Holland and Paris until he was based in Cote-Saint-André from 1878. In 1874 Jongkind was invited to show his work at the first Impressionist exhibition. Canvas 46 x 65 cm (minor older retouching, varnish renewed. (Provenance: Westphalian private property. Painting not in the catalog raisonné). Valuation was made without including the frame. JONGKIND, JOHAN BARTOLD (Lattrop / Overijssel, NL 1819-1891 Saint-Egrève bei Grenoble, F), Gemälde: "Seestück mit Segelschiffen und Ruderboot im abendlichen Gegenlicht", Öl auf Leinwand, u. l. signiert "Jongkind". Vor abendlichem Himmel mit Gegenlicht Segelschiffe und anlandendes Ruderboot. Summarische, teils pastose Malweise. Jongkind, der in seinen Gemälden die künstlerischen Traditionen seiner niederländischen Heimat mit den neuen Strömungen der Pariser Kunstszene verbindet, zeigt in seinen Gemälden ein großes Interesse an der Schilderung von Licht und Atmosphäre; der oft niedrige Horizont verweist dabei auf sein niederländisches Erbe. Bevorzugt arbeitete er Küsten- und Flusslandschaften. Jongkind, der als wichtiger Vorläufer der Impressionisten gilt, studierte an der Akademie in Den Haag; er arbeitete von 1848-1855 im Atelier von Eigene Isabey in Paris und war abwechselnd in Holland und Paris tätig, bis er ab 1878 in Cote-Saint-André ansässig war. 1874 wurde Jongkind eingeladen, seine Arbeiten auf der ersten Impressionisten-Ausstellung zu zeigen. Leinwand 46 x 65 cm (geringere ältere Retuschen, Firnis erneuert. (Provenienz: Westfälischer Privatbesitz; Gemälde nicht im Werkverzeichnis gelistet). Bewertung erfolgte ohne Einbeziehung des Rahmens.

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Rheine, NRW, DE

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