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Home > Auction >  Muses Auction Fine Asian Art & Antiques Two >  Lot.285 Alum Red Bottle Vase, Yongzheng Period

LOT 285 Alum Red Bottle Vase, Yongzheng Period

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USD8,000
Estimate  USD  8,000 ~ 10,000

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Muses Auction Fine Asian Art & Antiques Two

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H:6 inches

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清雍正矾红龙凤麟龟赏瓶 瓶上画有两兽,一兽画有龙身凤翅,一兽画有龟身麟角,是大名鼎鼎的四大神兽龙、凤凰、麒麟、龟,也被称为“四灵”,龙是“四灵之首”百兽之王,象征融合、团结。凤则象征如意吉祥,所谓「龙凤呈祥」。由此给我们留下一个“凤毛麟角”的成语。麒麟象征祈望子孙繁荣和追求幸福的意思。龟象征着长寿健康。此瓶意欲吉祥如意、繁荣富强、健康长寿、美满幸福。画工精美细致,生动形象,发色纯正是釉里红中不可多得的精品。 青花瓷源于元代,其实它还有一个“同胞兄弟”,名叫釉里红。釉里红,瓷器釉下彩装饰手法之一,创烧于元代景德镇。是将含有金属铜元素为呈色剂的彩料按所需图案纹样绘在瓷器胎坯的表面,再罩以一层无色透明釉,然后入窑在1300℃左右的高温还原焰气氛中一次烧成。按照存世数量与价值来判断,其实釉里红的稀缺程度远远超过了青花瓷,因为“培养”釉里红,“成活率”太低。瓷器烧造时需要一种环境,专业术语叫“气氛”,瓷器都是在某种气氛中烧成的。一般来说气氛就是两种:一种是氧化,一种是还原。简单来说,就是炉子开着火门,有充分的氧气进去,就叫氧化气氛。而关着窑门,闷着火,就称为还原气氛。釉里红是以铜为呈色剂,在还原气氛中烧成的。简单说它是闷着火烧成的。温度稍高点,或者稍低一点,它立刻就会失败,温度如果一低,颜色就会变黑,非常不好看。温度如果一高,颜色就灰飞烟灭。在上千度的炉膛内,温度高低只允许差额大概在十度左右。在古代,这一点温差是非常难控制的,只有丰富工作经验的窑工,才能看出来。因此,釉里红的成品率非常低,今天存世之作更是少之又少。自从80年代中期至90年代以来,明代釉里红瓷品在国际拍卖市场上价位扶摇直上。1986年,一件明洪武釉里红牡丹莲花纹大盘在香港以940万港元为日本人拍走,据专家估计,此品当今若再上市拍卖,价位当在2000万港元以上!1989年,一件洪武釉里红牡丹菊花大碗更以2035万港元的创世界纪录价位在港拍卖成交。这一价位不仅是釉里红瓷品和明瓷拍卖之最,也是中国文物艺术品在国际拍卖市场上所创高价位纪录之一。至今,明代釉里红瓷品在国际拍卖市场的高价位一直保持稳定状态,几乎每件明釉里红瓷品,都能在拍卖市场上以不低于百万港元的价位成交!影响所及,清初釉里红瓷品,在拍卖市场上价位也直追明瓷。

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