Property from a French Private CollectionLin Fengmian (1900-1991)Autumn scene with a bridge and willow treesink and colour on paper, framedsigned LIN FENGMIAN with one seal of the artist (lower right) Executed circa 1952-195581 x 80 cm, 26 by 26⅜ in.__________________________________________________________________________Collection particulière françaiseLin Fengmian (1900-1991)Scène d'automne, ca. 1952-1955encre et couleurs sur papier, encadrésigné LIN FENGMIAN avec un cachet de l'artiste__________________________________________________________________________法國私人收藏林風眠 (1900-1991)秋色扶疏清河柳設色紙本  鏡框  約1952至1955年間作款識︰林風眠  鈐印︰「林風瞑印」来源: Acquired by the grand-parents of the present owner in Shanghai or Hong Kong prior to 1955, and thence by family descent.__________________________________________________________________________現藏家之祖父母於1955年前得自上海或香港，後家族流傳至今专文: Throughout his long and productive life, Lin Fengmian (1900-1991) absorbed diverse influences, hybridizing a wide array of stylistic approaches into his expressive paintings. He was one of the first Chinese artists to make a serious study of European modern art while also looking carefully at the Song dynasty (960–1279) landscape paintings and ceramics. He saw no contradiction in this coexistence – Eastern, Western, ancient and modern influences all commingling in a single work of art.Autumn scene with a bridge and willow trees demonstrates artist’s interest in the realistic depiction of weather, a favorite subject of the French Impressionists. Adapting oil painting techniques to depict rhythmic rows of translucent waves in pastel, Lin creates a turbulent mood set off by a looming grey clouds. The play of light between the somber shades of blue and grey of the water and the sky creates a sense of distance and depth.__________________________________________________________________________林風眠漫長的生命和創作旅程成果豐碩，其作品表現力豐富，展現多元的藝術風格。他是最早一批鑽研歐洲現代藝術的中國藝術家，對宋代山水畫及宋瓷也有深刻理解。林風眠認為，東與西、古與今的共存並不矛盾，皆可盡納於一件藝術品中。《秋色扶疏清河柳》展現林風眠對於寫實描繪天氣的興趣，而天氣也是法國印象派的經典主題。林氏利用油畫技法以粉色描繪起伏跌宕的半透明波浪，營造出一種激蕩的節奏，再以烏雲籠罩海面加強氣氛。藝術家運用海和天的灰與藍， 輔以暗影之間的光線變化，營造距離感和景深。