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Home > Auction >  Masterpieces of Japanese Art from a Royal Collection >  Lot.24 Meiji era (1868–1912), circa 1877 SHIBATA ZESHIN 柴田是真 (1807–1891) INRŌ (MEDICINE CASE) WITH BUTTERBUR DESIGN 蕗薹図蒔絵印籠

LOT 24 Meiji era (1868–1912), circa 1877 SHIBATA ZESHIN 柴田是真 (1807–1891) INRŌ (MEDICINE CASE) WITH BUTTERBUR DESIGN 蕗薹図蒔絵印籠

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GBP25,000
Estimate  GBP  25,000 ~ 35,000

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邦瀚斯

Masterpieces of Japanese Art from a Royal Collection

邦瀚斯

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SHIBATA ZESHIN 柴田是真 (1807–1891) INRŌ (MEDICINE CASE) WITH BUTTERBUR DESIGN 蕗薹図蒔絵印籠Meiji era (1868–1912), circa 1877With four interlocking cases and cover of wood covered in chadō-nuri, the sides and top decorated with leaves, shoots, and flower of fuki (butterbur or bog rhubarb), in gold, silver, and ishime-nuri takamaki-e, the compartments and risers gold nashiji, the shoulders and rims gold fundame; the netsuke of lacquered wood in the form of a group of clams, one of them breathing out a cloud containing a Chinese palace in gold, silver, and red takamaki-e with shell; gold-lacquered ojime with flowers and butterflies; signed in scratched characters on the base Zeshin 是真Inrō: 7.6cm × 5.1cm × 2.1cm (3in × 2in × ¾in)Netsuke: 3.5cm x 1.9cm (1⅜in x ¾in)With fitted wood storage box (2)Provenance:(Inrō:)Sotheby's, London, 22–23 November 1990, lot 190(Inrō and netsuke:)Sold in these Rooms, 5 November 2014, lot 13Exhibited and Published:Nezu Bijutsukan (Nezu Museum) 2012, cat. no. 77注脚Zeshin depicted the fuki plant, with its large leaves, in two panels dating respectively from 1877 and 1882 (Nezu Bijutsukan 2012, cat. no. 51 and Earle and Gōke 1996, cat. no. 27). The earlier of the two panels uses techniques very similar to the present lot, suggesting that it may have been made around the same time. The season expressed in this design is spring, when the shoots of fuki can be fried as tempura or used to flavour miso paste.The idea of the 'Clam's Dream', seen on the netsuke, derives from a Chinese chronicle of the first century B.C., where it is stated that when a huge clam breathes on the surface of the sea it makes the shape of a city with buildings. The motif was popular from the late 18th century after to its publication in an illustrated book (Toriyama 1781).

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伦敦新邦德街

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  • Commission  GBP
  • 0 ~ 2,50027.5%
  • 2,501 ~ 300,00025.0%
  • 300,001 ~ 3,000,00020.0%
  • 3,000,001 ~ Unlimitation13.9%

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Other Lots in this session 25unit
Edo Period (1615–1868), late 17th–early 18th century MYŌCHIN MUNESUKE 明珍宗介 (1642–1726) SUJIBACHI KABUTO (RIDGED HELMET) 筋鉢兜

LOT 1

Meiji era (1868–1912), circa 1884 SHIBATA ZESHIN 柴田是真 (1807–1891) URUSHI-E (LACQUER PAINTING) OF MUSHROOM-GATHERING IN AUTUMN FIELDS 秋野辺茸図漆絵掛軸

LOT 10

Meiji era (1868–1912), circa 1883, and Showa era (1926–1989), 1929 SHIBATA ZESHIN 柴田是真 (1807–1891) KAKEJIKU (HANGING SCROLL) DEPICTING SHOKI AND ONI, WITH FITTED WOOD TOMOBAKO PAINTED BY SHŌJI CHIKUSHIN 庄司竹真 (1854–1936) AND JIKUSAKI (ROLLER ENDS) LACQUERED BY SHŌJI HŌSHIN 庄司芳真 (1898–1993)  朱円窓鍾馗図掛軸

LOT 11

Meiji era (1868–1912), circa 1870–1890 SHIBATA ZESHIN 柴田是真 (1807–1891) TANZAKU (POEM CARD) WITH URUSHI-E (LACQUER PAINTING) OF A GOURD 瓢箪図漆絵短冊

LOT 12

Meiji era (1868–1912), dated 1888 and 1889 SHIBATA ZESHIN 柴田是真 (1807–1891) PAIR OF SIX-PANEL SCREENS DEPICTING THE LEGEND OF TAKASAGO 高砂図六曲屏風一双

LOT 13

Meiji era (1868–1912), dated 1883 SHIBATA ZESHIN 柴田是真 (1807–1891) LACQUERED WOOD PANEL WITH DESIGN OF FARMHOUSE IN THE SNOW AT SANO 雪中佐野(「鉢の木」)図蒔絵額面

LOT 14

Meiji era (1868–1912), circa 1870–1890 SHIBATA ZESHIN 柴田是真 (1807–1891) SMALL BOX WITH DESIGN OF AUTUMN GRASSES 秋草図素彫小箱

LOT 15

Meiji era (1868–1912), circa 1870–1890 SHIBATA ZESHIN 柴田是真 (1807–1891) ZANSAISAGE OR TONKOTSU (CONTAINER FOR FOOD SCRAPS) WITH DESIGN OF WAVES AND PLOVERS 波千鳥図蒔絵頓骨

LOT 16

Meiji era (1868–1912), circa 1870–1890 SHIBATA ZESHIN 柴田是真 (1807–1891) ZANSAISAGE OR TONKOTSU (CONTAINER FOR FOOD SCRAPS) WITH DESIGN OF THE MOON AND MARE'S-TAIL 月に杉菜図蒔絵残菜提

LOT 17

Meiji era (1868–1912), late 1880s SHIBATA ZESHIN 柴田是真 (1807–1891) DOOR WITH AUTUMN MAPLE-VIEWING SCENE 紅葉狩図蒔絵板戸

LOT 18

Edo period (1615–1868), circa 1855 SHIBATA ZESHIN 柴田是真 (1807–1891) SWEET DISH IMITATING PEWTER 砂張盆写菓子器

LOT 19

Edo Period (1615–1868) or Meiji era (1868–1912), 19th century MYŌCHIN YOSHIHISA 明珍吉久 IRON ARTICULATED MODEL OF A TOAD 蝦蟇自在鉄置物

LOT 2

Meiji era (1868–1912), circa 1870–1890 SHIBATA ZESHIN 柴田是真 (1807–1891) TSUBA (SWORD GUARD) WITH RED-PEPPER DESIGN 唐辛子図蒔絵喰出鐔

LOT 20

Meiji era (1868–1912), circa 1870–1890 SHIBATA ZESHIN 柴田是真 (1807–1891) SAYA (SCABBARD) WITH DESIGN OF GINGKO NUTS 銀杏図蒔絵脇差拵

LOT 21

Meiji era (1868–1912), circa 1886 SHIBATA ZESHIN 柴田是真 (1807–1891) INRŌ (MEDICINE CASE) WITH DESIGN OF SHŌKI THE DEMON-QUELLER AND A DEMON, AND NETSUKE (TOGGLE) WITH SAKE-BOTTLE DESIGN 鍾馗鬼遣図蒔絵鞘印籠 酒瓢図蒔絵根付

LOT 22

Meiji (1868–1912) or Taisho (1912–1926) era, late 19th–early 20th century ATTRIBUTED TO ISHIBASHI SŌJIRŌ (HEISHŪSAI) 石橋平秀齋 推定 (1847–1918) INRŌ (MEDICINE CASE) WITH BLUE-LACQUER GROUND 菊に蝶図蒔絵青漆印籠

LOT 23

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