app download
ArtFox APP
Home > Auction >  Asian, European Arts and Antiques, April 22, 2017 >  Lot.7 The Museum Bronze Age geometrical vessel, Middle East, 4000-1200 BC

LOT 7 The Museum Bronze Age geometrical vessel, Middle East, 4000-1200 BC

Starting price
USD3,000
Estimate  USD  5,000 ~ 10,000

Viewed  369  Frequency

Pre-bid 0  Frequency

Log in to view

logo Collect

Eternity Gallery

Asian, European Arts and Antiques, April 22, 2017

Eternity Gallery

Name

Size

Description

Translation provided by Youdao

Translate
Size

Description

The Museum Bronze Age geometrical vessel, Middle East, 4000-1200 BC The purpose of this vessel (vase, pot or cup) is unclear: drinking, praying, libation cup, medicinal, etc. Height: 2.36 inches = 6 cm; Upper Diameter: 2.9 inches = 7.4 cm = 74 mm; Base diameter: 2.55 inches = 6.5 cm = 65 mm; Weight: 7.5 oz. = 207 g; Condition: covered with amazing genuine patina; Origin: Afghanistan (Kandahar) History The discovery of bronze enabled people to create metal objects which were harder and more durable than previously possible. Bronze tools, weapons, armor, and building materials such as decorative tiles were harder and more durable than their stone and copper ("Chalcolithic") predecessors. Initially, bronze was made out of copper and arsenic, forming arsenic bronze, or from naturally or artificially mixed ores of copper and arsenic,[ with the earliest artefacts so far known coming from the Iranian plateau in the 5th millennium BCE. It was only later that tin was used, becoming the major non-copper ingredient of bronze in the late 3rd millennium BC.[8] Tin bronze was superior to arsenic bronze in that the alloying process could be more easily controlled, and the resulting alloy was stronger and easier to cast. Also, unlike arsenic, metallic tin and fumes from tin refining are not toxic. The earliest tin-alloy bronze dates to 4500 BCE in a Vinča culture site in Pločnik (Serbia). Other early examples date to the late 4th millennium BC in Africa, Susa (Iran) and some ancient sites in China, Luristan (Iran) and Mesopotamia (Iraq). Ores of copper and the far rarer tin are not often found together (exceptions include one ancient site in Thailand and one in Iran), so serious bronze work has always involved trade. Tin sources and trade in ancient times had a major influence on the development of cultures. In Europe, a major source of tin was England's deposits of ore in Cornwall, which were traded as far as Phoenicia in the Eastern Mediterranean. In many parts of the world large hoards of bronze artefacts are found, suggesting that bronze also represented a store of value and an indicator of social status. In Europe large hoards of bronze tools, typically socketed axes (illustrated above), are found, which mostly show no signs of wear. With Chinese ritual bronzes, which are documented in the inscriptions they carry and from other sources, the case is very clear. These were made in enormous quantities for elite burials, and also used by the living for ritual offerings. Though bronze is generally harder than wrought iron, with Vickers hardness of 60–258 vs. 30–80,[11] the Bronze Age gave way to the Iron Age because iron was easier to find and easier to process into a usable grade of metal (it can be made into higher grades, but doing so takes significantly more effort and knowledge of techniques). Pure iron is soft, and the process of beating and folding sponge iron to make wrought iron removes from the metal carbon and other impurities which need to be re-introduced to improve hardness. Careful control of the alloying and tempering eventually allowed for wrought iron with properties comparable to modern steel. Bronze was still used during the Iron Age, and has continued in use for many purposes to the modern day. Among other advantages it does not rust. The weaker wrought iron was found to be sufficiently strong for many uses. Archaeologists suspect that a serious disruption of the tin trade precipitated the transition. The population migrations around 1200–1100 BC reduced the shipping of tin around the Mediterranean (and from Great Britain), limiting supplies and raising prices. As the art of working in iron improved, iron became cheaper, and as cultures advanced from wrought iron (typically forged by hand – wrought – by blacksmiths) to machine forged iron (typically made with trip hammers powered by water), the blacksmiths learned how to make steel, which is stronger than bronze and holds a sharper edge longer. Composition, alloys There are many different bronze alloys, but typically modern bronze is 88% copper and 12% tin. Alpha bronze consists of the alpha solid solution of tin in copper. Alpha bronze alloys of 4–5% tin are used to make coins, springs, turbines and blades. Historical "bronzes" are highly variable in composition, as most metalworkers probably used whatever scrap was on hand; the metal of the 12th-century English Gloucester Candlestick is bronze containing a mixture of copper, zinc, tin, lead, nickel, iron, antimony, arsenic with an unusually large amount of silver – between 22.5% in the base and 5.76% in the pan below the candle. The proportions of this mixture suggests that the candlestick was made from a hoard of old coins. The Benin Bronzes are really brass, and the Romanesque Baptismal font at St Bartholomew's Church, Liège is described as both bronze and brass. In the Bronze Age, two forms of bronze were commonly used: "classic bronze", about 10% tin, was used in casting; and "mild bronze", about 6% tin, was hammered from ingots to make sheets. Bladed weapons were mostly cast from classic bronze, while helmets and armor were hammered from mild bronze. Commercial bronze (90% copper and 10% zinc) and architectural bronze (57% copper, 3% lead, 40% zinc) are more properly regarded as brass alloys because they contain zinc as the main alloying ingredient. They are commonly used in architectural applications.[15][16] Bismuth bronze is a bronze alloy with a composition of 52% copper, 30% nickel, 12% zinc, 5% lead, and 1% bismuth. It is able to hold a good polish and so is sometimes used in light reflectors and mirrors.[17] Plastic bronze is bronze containing a significant quantity of lead which makes for improved plasticity[18] possibly used by the ancient Greeks in their ship construction.[19] Other bronze alloys include aluminium bronze, phosphor bronze, manganese bronze, bell metal, arsenical bronze, speculum metal and cymbal alloys.

Preview:

Address:

Tampa, FL 33617

Start time:

  • Commission  USD
  • 0 ~ Unlimitation15.0%

Online payment is available,

You will be qualified after paid the deposit!

Online payment is available for this session.

Bidding for buyers is available,

please call us for further information. Our hot line is400-010-3636 !

This session is a live auction,

available for online bidding and reserved bidding

×
This session requires a deposit. Please leave your contact. Our staff will contact you. Or you can call400-010-3636 (Mainland China)+86 010-5994 2750 (Overseas) Contact Art Fox Live Customer Service
Contact:
Other Lots in this session 338unit
Museum quality Etruscan bronze mirror with Poseidon riding
aSeaHorse,circa 400 BC

LOT 1

Phoenician marble sculpture of BA'AL HAMMON & TANIT

LOT 2

Phoenician Goddess Terracotta Head, 400-200BC

LOT 3

Phoenician(?) bronze plate inscriptions & images 1500 BC

LOT 4

Bronze Age, Antique statue: Master of Animals, Luristan, 1000 BC – 700 BC

LOT 5A

Antique museum Luristan bronze spear or dagger or short sword, 1000
BC-600 BC,

LOT 5B

Luristan erotic bronze vessel, circa 800 BC

LOT 5

Ancient Middle East, Islamic(?) bronze thimble in ring shape

LOT 6

Bactrian Greek bronze mirror, 89mm, circa 300-100 BC

LOT 8

Ancient Bactrian bronze mirror 73mm, circa 300-200 BC

LOT 9

Antique Islamic Syrian Enamel copper bowl, 20 x 11cm

LOT 11

Mysterious, genuine, Islamic glazed bowl, 1300-1400 AD

LOT 13

Early Islamic Bronze Peacock Finial, 12th c AD

LOT 14

Islamic Bronze Scale pan, Kufic script, 18-19th c AD

LOT 15

Islamic bronze mirror, Kufic inscriptions, 12-13th c

LOT 16

Genuine Islamic Persian bronze mirror circa 900-1100 AD, from Pakistan

LOT 17

Art Fox Live
Buyers
Auctioneers
Follow Us
Feedback

在线客服

咨询热线

400-010-3636

微信公众号

APP下载

顶部

Hint
You will not be able to bid and pay the deposit when the session is ended.
Hint
You will not be able to bid and pay the deposit when the current bidding is ended.
Hint
宝物的份数已经被购完,下次下手请及时。
Hint
You will not be able to bid and pay the deposit when the session is ended.
Hint
You will not be able to bid and pay the deposit when the session is ended.
Hint
You will not able to bid now when the bid is started or ended.