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Home > Auction >  Chinese Paintings From the Yanqinzhai Collection >  Lot.636 Mohu (19th Century); Huang Yuan (19th Century); Tao Qi (1814...

LOT 636 Mohu (19th Century); Huang Yuan (19th Century); Tao Qi (1814...

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邦瀚斯

Chinese Paintings From the Yanqinzhai Collection

邦瀚斯

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17.3 x 53.5cm (6¾ x 21in) 15.5 x 48.5cm (6⅛ x 19⅛in) 20.5 x 56.3cm (8⅛ x 22⅛in) 18 x 52cm (7 x 21in)

Description

Chinese Paintings From the Yanqinzhai Collection 「硯琴齋」珍藏中國書畫 Lot 601-731 「杯裏紫茶香代酒,琴中綠水靜留賓」 ——硯琴齋主之書畫收藏 硯琴齋主,祖籍廣東汕頭,生於香港。早年從事貿易,經商之餘耽於傳統藝術。上世紀七十年代,師從本港名家范又新習書,八十年代初先後隨容思澤、吳景略、蔡德允諸師習操縵,並蒐訪歷代琴器,復考其沿革,珍藏唐宋元明以來古斲甚夥。數十年來,以琴會友,多次於港、臺和澳門各大學及博物館舉辦古琴展覽及講座,竭心盡力於古琴藝術之普及推廣。 絲桐之外,硯琴齋主亦雅好丹青,「硯琴齋」之「硯」,實指翰墨一道。硯琴齋主人行走南北,造訪琴家之餘,亦多流連當地厂肆,悉心購求。自古「琴棋書畫」乃君子四藝,琴人尤多書畫仝道,友人或從中幫忙斡旋,代為購藏;或割愛轉贈,以物易畫。卅年間,不期然所彚竟逾百件。觀其所藏,咸以琴為宗,不求名頭之大、之全,但求合己之雅意,此即為硯琴齋珍藏之所以別具一格,令人垂青。 本場中一組晚清至民國書法楹聯,即以琴為題。如俞樾「杯裏紫茶香代酒,琴中綠水靜留賓」(拍品617),取唐代錢起〈過張成侍御宅〉詩,其友人雖貧如顏回,然有琴有茶,其樂何如;張鋆「釀酒移花調護悶,弄琴洗研破除閒」(拍品618),出自陸游〈休日〉,乃詩人退隱生活的寫照。如此嘉聯,最宜書齋。 高士與古琴,乃中國繪畫常見之題材,畫家每以此自喻,藏家更喜借以明志。本場拍賣中,湯貽汾〈携琴訪友圖〉(拍品602)、顔元〈眠琴綠蔭〉(拍品624)、鄭師玄〈仿仇英高士倚琴〉(拍品625),皆屬此類,正可一窺不同時代之詮釋。尚有琴家之作,如北平古琴研究會會長溥伒〈山居圖〉(拍品622)、虞山琴社社長翁之瀾〈行書杜牧詩〉(拍品621),書畫皆精,可見「六藝相通」之言不虛。 硯琴齋主,生於斯長於斯,對南粵鄉邦藝術之蒐求,不遺餘力,粵籍書畫家及嶺南畫派的作品,多有佳作。其中,有「粵謳鼻祖」之譽的招子庸〈竹石圖〉(拍品686),光緒進士梁于渭〈長夏歸樵圖〉(拍品691),雅意燦然,甚為希見。近現代嶺南名家如居廉、高劍父、黃少強、李研山、楊善深、丁衍庸之作,一脈相承,皆有可觀。 徵得硯琴齋主慨然應允,本場拍賣全部拍品以無底價形式推出。古之高山流水,流傳千載。今有硯琴齋主人,芳情盡寄於弦心,亦如伯牙子期般,靜待賞音。Mohu (19th Century); Huang Yuan (19th Century); Tao Qi (1814-1865); Chen Yunsheng (1820-1884)Flowers and Butterfly; Summer Landscape; Visiting Friend in the Mountain Ink and colour on paper; ink and colour on silk, ink on gold paper, four fan leaves The first signed Mohu, with two seals of the artist The second inscribed and signed Yuan, dated wuchen year (1808), with a dedication and one seal of the artist The third inscribed and signed Zhui'an Qi, dated renzi year (1852), with a dedication and one seal of the artist The forth signed Hu daoren Chen Yunsheng, with a dedication and one seal of the artist 17.3 x 53.5cm (6¾ x 21in) 15.5 x 48.5cm (6⅛ x 19⅛in) 20.5 x 56.3cm (8⅛ x 22⅛in) 18 x 52cm (7 x 21in)Footnotes墨湖 蝶戀花 設色紙本 扇面 黃沅 夏日山居圖 設色紙本 扇面 一八〇八年作 陶淇 策杖訪友圖 設色絹本 扇面 一八五二年作 陳允升 節〈禮器碑〉 水墨泥金紙本 扇面 款識: (一)墨湖。 (二)漠漠水田飛白鷺,陰陰夏木囀黃鸝。戊辰(1808)春日,友樵八兄正,沅。 (三)曉起偶倣石田翁筆,壬子(1852)秋日,蓮塘仁兄雅正,錐庵淇。 (四)乾元以來,三九之載,八皇三代,至孔乃備。聖人不世,期五百載,三陽吐圖,三陰出讖,製作之義,以俟知奧。節撫孔廟〈禮器碑〉,為壽孫仁兄大人屬,壺道人陳允升。 鈐印:(墨)墨湖、是指題 (黃)黃沅 (陶)陶淇私印 (陳)弗舟 註:黃沅,字芷香,號湘南。仁和(今杭州)人。工詩畫,見載於《杭郡詩三輯》。 陶淇,又名紹源,字錐庵。秀水(今浙江嘉興)人。山水筆意疎秀,樹石幽雅。晚年專摹王翬。花卉姿致妍雅,用筆柔和超逸。能詩。有《忠孝堂集》。 陳允升,字仲升、允升,號壺舟、壺父,又號壺道人、金峨山樵,浙江鄞縣人。工書畫、篆刻,亦能詩文,居滬上鬻畫。

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