LOT 36 Paul Wunderlich (1927 Eberswalde - 2010 Saint-Pierre-de-Vass...
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Paul Wunderlich (1927 Eberswalde - 2010 Saint-Pierre-de-Vassols, Provence) (F) 'Springende mit rotem Sessel', gouache on paper, sheet size 90 cm x 73 cm, signed, dated 69Provenance: Private collection, HanoverLiterature: Cat. rais. Jensen 290"His works are recognised, appreciated, and purchased by a wide audience throughout the world", Jens Christian Jensen praised the artist, "Connoisseurs are in agreement: Paul Wunderlich is the leading master of Fantastic Realism and one of the few stylistically pioneering artists of our time." Paul Wunderlich was born in Eberswalde on 10th March 1927. As a painter, sculptor, graphic artist, designer of object art and even furniture, he was one of the most productive artists of the 20th century. From 1947 to 1951, he studied "Freie Graphik" at the later Hochschule für Bildende Künste in Hamburg in Willi Tietze's class. There he met, among others, his fellow students Horst Janssen and Reinhard Drenkhahn. In 1950 he studied with Willem Grimm for one semester. He then taught etching and lithography at the university from 1951 to 1960. He received printing commissions from both Emil Nolde and Oskar Kokoschka.From 1961 to 1963 Wunderlich lived and worked in Paris. During these years he tried his hand at reverse glass paintings. He then succeeded Georg Gresko as professor at the art academy in Hamburg. In the 1960s, Wunderlich experimented with different techniques and developed his unmistakable style, which combined Mannerist and Surrealist influences, but also elements of Jugendstil and Art Deco. He created surreal figures with elongated proportions, and often took famous motifs from classical art and mythology as models. Initially, he drew his themes from German history. Later he concentrated increasingly on erotic and sexual motifs. Under the influence of Salvador Dalí, he also began to produce bronzes.A female figure floats in a room above a red designer sofa like a weightless ghost. For over 50 years, Paul Wunderlich devoted himself almost obsessively to the depiction of the erotic female body in ever new variations. According to his concept of aesthetics, the female figures were smooth, weightless and flowing. Wunderlich placed great emphasis on smooth surfaces, seamless outlines and nuanced colour transitions. When asked by Stephan Richter, "Can people, can society, live without art?", Wunderlich answered "Yes, " but it would hardly be worth it."
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