LOT 38 Paul Wunderlich (1927 Eberswalde - 2010 Saint-Pierre-de-Vass...
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Paul Wunderlich (1927 Eberswalde - 2010 Saint-Pierre-de-Vassols, Provence) (F) 'Amazone', bronze, dark patina, partially polished, mounted on a black and white marbled plinth, dimensions (with plinth) 56 cm x 82 cm x 12 cm, signed, foundry stamp, numbered 130/500, the edges of the plinth chipped, with purchase receiptProvenance: Edition; Galerie Volker Huber; private collection, HanoverLiteratur: Cat. rais. Spielmann 29"His works are recognised, appreciated, and purchased by a wide audience throughout the world", Jens Christian Jensen praised the artist, "Connoisseurs are in agreement: Paul Wunderlich is the leading master of Fantastic Realism and one of the few stylistically pioneering artists of our time." Paul Wunderlich was born in Eberswalde on 10th March 1927. As a painter, sculptor, graphic artist, designer of object art and even furniture, he was one of the most productive artists of the 20th century. From 1947 to 1951, he studied "Freie Graphik" at the later Hochschule für Bildende Künste in Hamburg in Willi Tietze's class. There he met, among others, his fellow students Horst Janssen and Reinhard Drenkhahn. In 1950 he studied with Willem Grimm for one semester. He then taught etching and lithography at the university from 1951 to 1960. He received printing commissions from both Emil Nolde and Oskar Kokoschka. From 1961 to 1963 Wunderlich lived and worked in Paris. During these years he tried his hand at reverse glass paintings. He then succeeded Georg Gresko as professor at the art academy in Hamburg. In the 1960s, Wunderlich experimented with different techniques and developed his unmistakable style, which combined Mannerist and Surrealist influences, but also elements of Jugendstil and Art Deco. He created surreal figures with elongated proportions, and often took famous motifs from classical art and mythology as models. Initially, he drew his themes from German history. Later he concentrated increasingly on erotic and sexual motifs. Under the influence of Salvador Dalí, he also began to produce bronzes.In an allusion to the "man-like" warrior women of mythical times, the nude, delicately modelled Amazon sits with an imaginary bow as if riding a horse. The ancient motif of the Amazon, which Wunderlich used often in his works, is an archetype rooted in myth. The Amazon is the final link in a series of works in which Wunderlich depicted seated figures rotated at an angle. His aim was to create figures which were flat like a relief, but at the same time gave the illusion of great spatial depth. The flatness of the figure is particularly apparent when viewed from one side. The Amazon confronts the viewer as a cool and distanced warrior. There is a technical, mechanical quality about her, which, according to Spielmann, is a deliberately emphasised feature of the figure that constitutes much of her erotic appeal.
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