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Home > Auction >  Fine Art >  Lot.2131 Venetian School 16th centuryPortrait of a Man in a Beret Giovanni Bellini?)Black chalk on textured

LOT 2131 Venetian School 16th centuryPortrait of a Man in a Beret Giovanni Bellini?)Black chalk on textured

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Lempertz

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Lempertz

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Venetian School 16th century Portrait of a Man in a Beret Giovanni Bellini?) Black chalk on textured paper.. 13.3 x 12 cm.. Framed under glass. Provenance German private collection. Literature Cf.: J. Rapp, Das Tizian-Porträt in Kopenhagen: Ein Bildnis des Giovanni Bellini, in: Zeitschrift für Kunstgeschichte 1987, p. 359 ff. This previously unpublished work, finely drawn in black chalk, depicts a middle-aged man. He wears a simple headdress of the kind which is also seen in Venetian works of the early 16th century, such as those of Carpaccio, Gentile Bellini, or Jacopo de´ Barbari. The man's features and the way he gazes into the distance are more reminiscent of Titian's portrait of Giovanni Bellini in the Statens Museum in Copenhagen. Further stylistic parallels also indicate an origin of the sheet in 16th century Venice when we compare it, for example, with Gentile Bellini's self portrait in the Berlin Kupferstichkabinett or the ink wash portrait of Giovanni Bellini in the Musée Condé in Chantilly. Venezianischer Meister des 16. Jahrhunderts Bildnis eines Mannes mit Barett (Giovanni Bellini?) Kreide in Schwarz auf geripptem Papier. 13.3 x 12 cm. Unter Glas gerahmt. Provenienz Deutsche Privatsammlung. Literatur Zum Vergleich siehe J. Rapp: Das Tizian-Porträt in Kopenhagen: Ein Bildnis des Giovanni Bellini, in: Zeitschrift für Kunstgeschichte 1987, S. 359 ff. Diese bislang unpublizierte Zeichnung zeigt eine mit feiner schwarzer Kreide gezeichnete Kopfstudie eines Mannes mittleren Alters. Er trägt eine schlichte Kopfbedeckung, die uns aus venezianischen Bildern des frühen 16. Jahrhunderts, etwa von den Carpaccios, von Gentile Bellini oder Jacopo de´ Barbari, vertraut ist. Die Gesichtszüge und der in die Ferne gerichtete Blick des Mannes wiederum erinnern an Tizians Porträt von Giovanni Bellini aus dem Statens Museum in Kopenhagen. Stilistische Bezüge, die ebenfalls für eine Entstehung unseres Blattes in Venedig im ersten Jahrzehnt des 16. Jahrhunderts sprechen, finden sich u. a. in einem Selbstbildnis von Gentile Bellini im Berliner Kupferstichkabinett und einem Porträt von Giovanni Bellini (Pinselzeichnung) im Musée Condé von Chantilly.

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Neumarkt 3 Köln 50667 Germany

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