Utagawa Hiroshige (1797-1858), Utagawa Toyokuni III (1786-1865) and Utagawa Hiroshige II (1826-1869) Edo period (1615-1868), mid 19th century Four oban tate-e prints: two by Hiroshige, the first of Fukagawa Hachiman yamabiraki (Opening of the Garden of the Hachiman Shrine at Fukagawa) from the series Meisho Edo hyakkei (100 Famous Views of Edo), published by Uoya Eikichi, censor's seal aratame, date seal snake 8 (1857), signed Hiroshige ga, 35cm x 24cm (13¾in x 9 7/16in); the second of Mimasaka, Yamabushidani (Mimasaka Province: Yamabushi Valley) from the series Rokujuyoshu meisho zue (Famous Places in the 60-odd Provinces), published by Koshimuraya Heisuke in 1853, signed Hiroshige hitsu, 34.2cm x 23cm (13 7/16in x 9 1/16in); the third by Hiroshige and Toyokuni III of Kakegawa from the series Sohitsu gojusantsugi (53 Stations by Two Brushes), published by Maruya Kyushiro, censor's seal aratame, date seal tiger 12 (1854), signed Hiroshige ga and Toyokuni ga, 35.2cm x 24cm (13 7/8in x 9 7/16in); the last by Hiroshige II of Banshu Maiko no hama (Maiko Beach, Harima Province) from the series Shokoku meisho hyakkei (100 Famous Views in the Various Provinces), published by Uoya Eikichi, with combined censor's and date seal aratame and snake 9 (1859), signed Hiroshige ga, 34cm x 23cm (13 3/8in x 9 1/16); all framed and glazed. (4).