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Home > Auction >  欧洲14至19世纪油画及雕塑 >  Lot.1505 Antwerp School around 1525 -1530, Cruxificion of Christ

LOT 1505 Antwerp School around 1525 -1530, Cruxificion of Christ

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EUR10,000
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Kunsthaus Lempertz KG

欧洲14至19世纪油画及雕塑

Kunsthaus Lempertz KG

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Antwerp School around 1525 -1530, Cruxificion of Christ Oil on panel. 53 x 43 cm. Provenance Private collection, Belgium. The present Cruxificion by an anonymous master is a good example of the Antwerp Mannerist influence within a composition of the Bruges tradition. This is evidenced by the embroidered dress with arabesque decor and the elegant hairdress with gold mesh worn by Mary Magdalene, who is shown weeping at the foot of the Cross. If the composition typology refers to Adriaen Isenbrandt (see the Cruxificion sold by Dorotheum, Vienna, 19.04.2016, lot 13) and before him to Gerard David, the figure of Christ with his fluttering perizonium is clearly inspired by Rogier van der Weyden. As for the landscape in the background, its rocky peaks evoke the style of Joachim Patinier, who was working in Antwerp at that time. Antwerpener Meister um 1525 -1530, Christi Kreuzigung Öl auf Holz. 53 x 43 cm. Provenienz Belgische Privatsammlung. Die vorliegende Kreuzigung eines anonymen Meisters ist ein schönes Beispiel für den Einfluss des Antwerpener Manierismus auf eine Kompostion, die in der Tradition der Brügger Schule steht. Davon zeugt die Figur der weinenden Hl. Maria Magdalena am Fuße des Kreuzes. Sie trägt ein gesticktes Kleid mit arabeskem Dekor und einen eleganten Kopfschmuck mit goldenem Haarnetz. Die Typologie der Komposition geht auf Adriaen Isenbrandt zurück (vgl. Kreuzigung, Dorotheum, Wien, Auktion 19.04.2015, Los 13) wie auch auf Gerard David. Die Figur des Christus am Kreuz mit dem fliegenden Perizonium (Lendenschurz) folgt dem Vorbild Rogier van der Weydens. Die fein gemalte Landschaft im Hintergrund mit ihren felsigen Gipfeln ist eine Referenz an Joachim Patinier, der zu dieser Zeit in Antwerpen tätig war.

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Kunsthaus Lempertz KG,Neumarkt 3 50667 Cologne, Germany

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